Jungle Rivers, Part 3

28mm U.S. sailors move cautiously through the jungle alongside one of the completed river pieces

I knew going in that this would be the most time-consuming step. I'd been surprised how easy the painting of the latex river surface itself was, and pleased with how they'd turned out. The flocking of the river banks on 9 separate terrain pieces seemed like a chore, and I racked my brain to think of a way to make it go easier. When I do the ground flock for just about any of my figures or terrain piece, it begins with a 50/50 mixture of white glue and brown paint. I pour ballast on top of that as a first layer. Up till this point, I would mix up a new batch of glue and paint every time I flocked anything. When looking at approximately 16 feet of river bank to flock (8 roughly one foot long pieces, with two banks each), I said to myself, "Wait a minute! Why am I mixing this stuff up every time? I should pre-mix a huge batch and save myself time..."

The river banks of the pieces flocked with medium ballast to build up the surface

So, I took an old Elmers glue bottle that had only a tiny bit left in it and filled it up halfway from a fresh bottle. I then squirted in the brown paint I use for the ground on my bases to fill up the rest of it. This made applying the glue and paint mix much easier. I squirted as much as I thought I would need along the bank, and then spread it across all parts of the latex bank and felt base. Quickly, while it was still wet (the glue soaks into the felt quickly), I poured Woodland Scenics medium ballast across the glue. It went a lot quicker than I thought it would. Sure, it was a mess, and even though I was pouring the ballast over a bin, tiny rocks scattered everywhere. I also got paint all over my hands and had to keep cleaning them off so I wouldn't smear paint onto my carefully layered paint job on the river itself!

The river pieces with the ballast covered in a 50/50 glue and paint mix and coated with sand

I set the river pieces aside to dry overnight. The next day, I repeated the process, essentially. Except this time, I pour sand across the glue-soaked ballast. I've found that this gives a nice earth-like surface. I was a bit worried what would happen doing this one felt fabric -- as opposed to a hard surface like styrene or wood. It did not "warp" the felt edges much, and the material seemed to be laying relatively flat, much to my relief. I set the pieces aside to dry overnight once again.

The next step was to add green flock to the earth. I do this in an irregular, mottled, almost camouflage-like pattern. I did notice that tiny holes had appeared in some of the thicker parts of the sand/ballast/glue/paint buildup. I made it a point to cover these areas as much as possible with the Woodland Scenics blended green flocking. Once again, they were set aside to dry overnight.

The river pieces with the blended green flock and clump foliage added to the banks

Next, I pulled out my Woodland Scenics clump foliage in three different colors. I took straight white glue -- not the colored batch -- and squirted it here and there in a relatively irregular pattern. I alternated pressing clumps of foliage onto these glue spots in different colors to give it a more 3-dimensional look. I could probably put even more clumps on there to give an even more overgrown look. I may go back and add more if I am not 100% happy with it tomorrow.

A close up of one of the river pieces after completed -- I like the muddy greenish-brown look to the river!

The final step will be to cover the flocking in a 50/50 white glue and water mix. This is to seal it in so that it doesn't flake off or shed with use. I will probably NOT spray coat the river pieces, though. I am a bit worried what will happen if I add enamel spray sealant to a flexible piece of latex. White glue has enough "give" in it when dry, I feel. So, I think I am safe here on that. Not that I think they will get a lot of bending. One of the main reasons I cut the latex river pieces in half down to roughly a foot long was so I could store them flat.

Now that I look back over the project, would I change anything I did? Actually, yes. I think my choice of green felt as a "base" for the latex river pieces was a poor one. I should have used very thin, flexible styrene instead. It would have the advantage of NOT being porous and absorbing the glue, plus it would be less likely to warp up on the edges. I have noticed that as I add more flocking to the felt banks that some of the ends are beginning to curl up, unfortunately. Is it so bad I am going to hurl them into the trash and start over? No, of course not. However, I always like to "reflect" on my builds, and think of what I would change.  You never know...there might actually be someone out there reading this blog who may be interested in doing something similar!

Jungle Rivers, Part 2

At the end of the last update, I had put a base coat of paint on the 8 latex river pieces that I'd bought at Historicon 2013. I generally use inexpensive craft paints for my work, supplemented for a few important colors by Iron Wind Metals paints. For dry brushing, I generally use Howard Hues paints for their thickness. All four colors that would be used to recreate a muddy brown jungle river would be from the Ceramcoat line -- available here in the U.S. at Hobby Lobby, Michaels, and various other places. The colors I would be using are called Bambi Brown, Raw Sienna, Timberline Green, and English Yew Green.

A wash of Raw Sienna gives the tan river bottoms a nice mottled appearance

The slightly watered down base coast was of Bambi Brown. This light tan color was meant to represent the sand and dirt bottom of the river. I'd left off in the last update with covering the entire surface in Bambi Brown. Once dry, the next step would be to heavily water down Raw Sienna -- a medium brown with reddish tones in it. My estimate would be that I used a 1/4 to 1/3 ratio of paint to water. This was a wash, in essence. I wanted it to settle in the lowest places on the sculpted surface of the river. It would represent deeper portions of the river. I really liked how this gave the river a mottled appearance, as if the waves on the river surface were breaking up your view of the bottom. The photo above does a fairly good job of showing what it looked like at this stage, although with probably a bit more reddish tone than they had in person.

A 50/50 water-to-paint wash of Timberline Green has been added on the above piece. The lower piece shows what it looked like prior to this step.

In the picture above, you can see what it looked like after I added the wash of Timberline Green. This color can best be described as a light olive drab. I watered down this one down to a 50/50 ratio because I wanted more coverage than the Raw Siena, but still wanted it to be transparent so you can see the shades of brown on the bottom through it. As expected, it covers up more of the Raw Sienna wash than the Bambi Brown base coat -- which sticks to the raised areas of the latex representing ripples. However, in person, you can still see portions of the darker brown showing through. So far, so good on my layering method! Remember, this was all seat-of-the-pants experimenting...I wasn't sure if this would give me the look I wanted. It seemed to make the most sense, though.

A watered down layer of English Yew Green has been applied to the upper river section. As you can see, it darkens the surface, but still allows you to see the brown river bottom through the two green layers.

Much as I had done with the browns, I had a second, darker color to add to the greens. This was Ceramcoat English Yew Green, which I applied in about a 2/3 to 3/4 ratio of water to paint. English Yew Green can be described as a dark olive drab. This was meant to darken up the lower areas and make it more green and less brown. As you can see in the above picture, it definitely darkens the river surface. You can still see the brown layers beneath the green, so the watering down of the acrylic craft paint was producing transparent layers like I'd hoped. After this was dry, though, I decided there was still too much Bambi Brown visible on the raised wave surfaces of the latex. I decided they needed one more step to be complete.

In the above photo, the final layer has been applied. I went back and put a Timberline Green (the first, lighter olive drab color) dry brush onto the raised portions of the latex river section. As you can see, it definitely lightens the surface back up. If you click on the image for the larger photo, you should be able to see all four colors in portions. Am I happy with this? I'd have to say yes. I said I wanted a muddy greenish-brown river, and this fits the bill, I think. This color of river can be found all over the world, so I'll be able to use it not only as a jungle river, but in North America, Europe -- you name it.

Stage Two -- painting the river surface -- was probably the most technically demanding. I had to think about the layers I was applying and analyze the effects of successive layers of washes. I had to project what effect each would have on the combined look, and was essentially doing a lot of guesswork. The biggest challenge was that I had to have the browns on the bottom, so to speak, with the greens on top. However, since all were washes, they would leave that original solid layer of tan on the wavelets. That was solved by topping it all off with a green dry brush.

Stage Three would probably involve the most drudgery -- and time. I wanted to flock the edges of the latex river sections and merge them with the felt base I glued each piece onto. I am definitely going to need more white glue for this! Felt is a "thirsty" material and will likely absorb a lot of it.

Boardgames & Beer

So, Allen wanted to host the first Sunday in January so we could help him drink his leftover Christmas beer. In addition, he'd also received a "flight" of beer shot glasses -- essentially a wooden paddle with round slots for four glasses. Appropriately, there were four in attendance to sample the variety of beers from his fridge. I actually found a smoked porter that wasn't repulsive and did not taste like bacon. Despite universal acclaim for bacon's taste, when the main flavor in a beer it is gagging. Stone's Smoked Porter with Vanilla Bean was actually quite tasty.

On to the games! There were six of us in attendance, so we had a choice of about a half dozen board games to choose from. Allen was the only one with a preference, so we ended up playing Wildlife by Uberplay. This game is best with six players, and has each player taking on the role of a creature (Men, Crocodiles, Snakes, Eagles, Mammoths, Bears) trying to become the dominant one on the planet. I actually picked up this game years ago in the "swag party" after volunteering at Origins. It is a fun, interactive game -- your choices definitely affect the fortunes of the others. For some reason, both of the last two times we've played, I've ended up playing the Snakes. I am not sure what is says about me, but the others made no bones about what is said about my advice -- particularly when offered up to Joel (the Human player).

Steve V played the Eagles and cruised to an early lead. Allen (Bears) and Mike S (Mammoths) gave him a run towards the middle of the game, but he pulled away even more at the end. Allen was a distant second, while I ended up middle of the pack. That was better than last place, where I was most of the game. I didn't do a very good job of adjusting my strategy when others circumvented it early on. Although Keith (Crocodiles) and I -- while not actually cooperating -- did not interfere with each other overly, it still wasn't enough. I was unable to really dominate enough of the regions to score many victory points.

Next week, we are scheduled to give Mike S and his Star Wars skirmish another try. He uses Flying Lead rules, and we've played it once before and had a good time with it. My third running of Dakota Smith's Oriental Adventures is scheduled for the last Sunday of the month -- Jan. 26th. That gives me extra time to finish up the last of the terrain pieces I need to for the scenario...

Jungle Rivers, Part 1

This is the look I wanted -- a muddy, greenish-brown jungle river

One of my purchases at Historicon 2013 was a handful of latex river pieces. Each piece was molded in blue rubber latex, about two feet long and roughly 1 1/2 to 2 inches across. Ripples and banks were molded on. They were very inexpensive, so I snagged four differently-shaped pieces, along with a road "Y-shaped" intersection that I figured could easily be painted to look like it was river, instead. My friends Jason and Keith also picked some up. Unfortunately, I completely forget the name of the vendor.

The pieces have been sitting in my closet since summer. I've been secretly hoping Jason or Keith would paint their purchases up first so that I could benefit from their ideas and experience. I've even dropped a few hints in the last couple months, but they remained firm in the battle of wills. Finally, I blinked and decided to go ahead and do mine. I would need them for my upcoming Pulp scenarios. So, it was time to be the trail blazer on how to get these prepped for the tabletop.

Keith said that the material is similar to that used in "Zuzzy" terrain mats and pieces. He'd read some tutorials on how to paint them up, and I found them online and studied them. My initial thoughts on what to do were confirmed there. I'd been planning on using layers of watered down acrylics. I figured acrylics, first of all, would be more flexible and bend with the latex. Second, I figured a series of layers would be less vulnerable to cracking or flaking off.

I also made the decision to cut the pieces in half. Storing one foot long river sections seemed a lot easier than ones twice that length, and should mean less bending and opportunities for damage or wear and tear. An added bonus was that on several pieces the midpoint was in effect a "bend" in the river. So, I could use these pieces to change the direction of the river on the tabletop. I hadn't purchased any angled pieces (I'm not even sure the vendor had them available). The pieces were all relatively straight, some with gentle bends back and forth. Cutting them in half provided me with angled pieces, if I desired.

The latex rubber river pieces were Tacky glued onto a felt base. You can see the bright blue color they come in in this picture.

The next decision I made was to glue the pieces on green felt. The latex seemed to flimsy to have no base at all. Plus, the material has a kind of rubber "grip." So, the bottoms might stick to the tops -- or at least to the flocking material I used on the banks. Felt would be a nice insulating bottom layer, giving it more stability and not sticking when finished pieces were stored stacked up on top of each other (as I anticipated I would). I could have gone with styrene for a rigid base, but figured it would be a royal pain to cut in bends to match the river banks. I also thought it might be easier to overlap pieces if they were made of thinner, softer material like felt.

The jungle pieces and Y-shape glued onto felt pieces and trimmed up

So, I flipped each piece over and squirted lines of Tacky glue liberally on the back. They were then placed flat on a piece of green felt. Once dry, I used sharp fabric scissors to trim the felt so there was only a 1/4 to 1/2 inch of felt along the banks. The river ends were trimmed flush. The ends were also cut at an angle, too, so that the pieces could be placed at angles to each other if I desired.

The base coat of slightly watered-down Ceramcoat "Bambi Brown"

I'd decided to paint these up as a muddy, green jungle river like in the photo at the top of this post. I had Googled some images of "Jungle River," and picked three that matched what I wanted. I then went through my paints and decided that I would use a combination of light browns and dull greens to achieve this color. My first instinct was to paint up a test piece. Then I remembered I would be doing a lot of watered down layers. I was afraid I'd have a hard time replicating the test piece, so took the plunge and decided to all 8 pieces and the Y-shape at once. I'd chosen Ceramcoat "Bambi Brown" as best matching the light, tannish brown that seemed to underlie the surface of the river. I mixed in maybe 10% water with the paint and brushed it on thickly. This part was easy, and fairly straight forward. The next stage -- layering of watered down paints -- would be the tricky part!

Battle of Yalu River, 1894

Joel measures the range as Allen and Keith open fire on each other in late 19th century naval action

Last Sunday, Joel ran a naval battle from a fairly obscure period -- the Sino-Japanese War at the end of the 19th century. Joel does this from time to time, he'll root around Keith's basement, find miniatures that fit for "something completely different," and then research and set up a game. We may never play the period or scenario, again. Or it may be part of an occasional and recurring gaming period -- like his Vietnam War using Crossfire rules (though those are his own miniatures). Joel discovered and decided upon the Battle of Yalu River, 1894, completely under the group's radar -- other than Keith, of course. That's part of Joel's charm -- he definitely marches to the beat of his own drum, game-wise and life-wise. And seeing how we all just spent New Year's Eve at his place, it is also timely to reflect that I've known him now for about 36 years!

Anyway, either he or Keith had found a free set of rules online covering the period called "Quickfire Rules." We began with Joel explaining how we they work, in particular the firing section. Once we'd wrapped our head around the concepts, Quickfire was easy to pick up. We were all calculating what we needed to roll and easily adjudicating our ships' firing by the second turn of shooting. In that respect, the rules were a success. Simple and easy-to-learn!

The Chinese squadron sails onto the board in line abreast formation (or was it line a-quarter?)

The scenario had Keith and Mike S sailing two squadrons of Japanese ships onto the board in column, while across the table, Allen and I sailed our Chinese fleet in line abreast to meet them. I am not certain what scale Keith's miniatures were, but the ships are fairly tiny. Joel added a blob of putty with toothpick and flag to label each ship properly for this scenario. I'm assuming Keith's labels he'd created when he based them up must not have fit 100% for the Battle of Yalu River.

The scenario consisted of lobbing long-range gunnery shots at each other. In general, we concentrated our fire on the closest enemy ship. Only one ship was sunk -- Allen's battleship -- but a number of others were damaged. If my ships are any indication, each ship takes a half dozen or more primary and secondary gunnery, and also hull hits. With each hit marked off, either the offensive capability or speed is reduced. My part of the fleet suffered only a total of two boxes marked off the entire game. Allen was closer to the Japanese and was absorbing the brunt of the punishment.

My own squadron in the Battle of Yalu River. Joel added toothpicks holding the ship names and attached it with a blob of putty to Keith's bases.

Afterwards, the consensus was the rules reflected the period of warfare fairly well (for those who knew anything about it -- me not included). However, we felt to produce a more satisfying game with a more decisive result, the ships would either have to begin closer together or move faster (so they can close to that more-decisive range). Joel wasn't too sure, but most of us felt the game -- although fun -- would be improved even more by amping up the death and destruction. I mean, what gamer doesn't like more death and destruction? Seriously, this was one of the times where I was reminded of a maxim I've learned through decades of gaming. The most historically accurate game does not always produce the most enjoyable one. Sometimes things need to be changed or abstracted to provide a fun game. The best example I can think of is this is the reason you don't see too many World War I miniatures games out there. Normal battles of the period were not all that decisive or even tactically interesting. Joel's Sino-Japanese wargame shows potential to produce in both the tactically interesting and decisive categories, it just needs some minor adjustments. At least that was my take on it...!

A close up of one of my ships taking fire (note the Litko splash marker...Keith LOVES Litko markers!)

I am late in getting this report written and posted, this week, as well. I did this intentionally, though, to not steal the limelight at the top of my blog from the "Indiana Jones" Rope Bridge. This coming weekend we will be doing board games at Allen's house. So, hopefully, I will be more timely in posting an account of that!

"Indiana Jones" Rope Bridge, Part 3

The rope bridge amidst terrain and loaded up with figures. I recommend clicking on the image for the full size photo -- it is an atmospheric one...!

So, it is done. As I said in the last post on the construction of the rope bridge, I was all but completed. I took the upper assembly and stone sections and added green flock and clump foliage to them. I painted straight white glue onto the brown and sand spots, leaving a little brown visible here and there. I then sprinkled Woodland Scenics Blended Foliage onto it, tapping off the excess.

The completed upper assembly of the bridge, with flocking and clump foliage

Once it was dry, I pulled out my tubs of three different colors of Woodland Scenics clump foliage. I put a big splotch of glue was placed near scattered green grass sections and pressed the foliage into it so it would stick. I didn't put one on every spot where I had green flocking, but placed them here and there so they'd be visible from just about any angle. I used the lighter colored clumps on more open ledges and the darker ones in the shadier, more recessed ones. I am not sure if that works to look more realistic, but it certainly can't hurt!

The stackable stone sections made of craft foam and birch wood. Two are stacked atop each other in this picture, which shows the final step of adding flocking and clump foliage.

Once the foliage was dry, I did my first spray coat of Testors Dullcoate. I let that dry. Then I mixed up a 50/50 batch of white glue and water and painted it over all of the green flocking and clump foliage. I do this to cement it onto the terrain piece, so that I don't have to worry about it shedding flocking and growing threadbare with use. A final spray coat and the rope bridge was complete!

The completed rope bridge and stone sections it sits atop

Would I change anything I did in retrospect? Actually, no. I think the build worked well. The concept of the upper bridge assembly sitting atop the stackable stone sections worked really well. I loaded up the bridge with 28mm figures, and it didn't seem to sag or lean noticeably. Yes, putting the texture on the craft foam and birch wood sections (see "Part 2") was a time-consuming process with lots of steps. If I had a spackling or textured compound that I'd used before and liked, it might have been simply easier to spread it over the pieces instead. However, I haven't really "invented" a process like that, though I've seen many other miniature terrain and model makers that have. My only suggestion to someone who goes that route rather than the black spray paint and textured stone spray would be to make sure your material is black. I started out with black craft foam, sprayed it with black spray paint, and then sprayed it with the textured stone paint. So, I never had to worry about lighter colored recesses showing through. I think it would be a major pain if you coated the stone pieces with a white compound of some sort and then had to find a way to get black in all those recesses!

The rope bridge posed amidst jungle terrain and up against one of my pine bark cliff pieces. I really love the way it turned out!

I think the craft store "picket fence" is a perfect fit for a Pulp rope bridge, too. The wire holding it together is wound around the planks much like a rope would. It is sturdy, wide, and holds 28mm figures well. You can bend the wire to get whatever kind of curve you want in the bridge. I highly recommend it. Others more talented and patient than me may come up with a way to do rope hand rails. Just remember if you do that, those parallel hand rails will make it more difficult to place and move figures along the bridge, too.

A close up showing the skulls atop the bridge posts, and the wooden planking. I think the wire holding the craft store "picket fence" looks very convincing as rope.

It was fun to set up my terrain and take pictures of the rope bridge in action. Of course, since it is an "Indiana Jones" rope bridge, I had to pose Dakota Smith in the middle. Like Indy in the Temple of Doom, he is beset on each side of the bridge by enemies. Bandits out for his scalp advance from one side of the bridge, while the martial artists of the Order of the Fire Coral close in from the other. Will Dakota escape? Well, it is a Pulp game, isn't it...?

In a scene stolen from Indiana Jones and the Temple of Doom, Dakota Smith is surrounded by bandits on one side and martial artists from the Order of the Fire Coral on the other. How will our hero escape this predicament? Tune in to Dakota Smith's Oriental Adventures on this blog to see...!

"Indiana Jones" Rope Bridge, Part 3

The stone sections with their black prime complete and their top surfaces masked, ready for the textured stone paint.

Much to my surprise, this ended up being the most time-consuming and "pain in the butt" part of the build. My thought was it would be simple. I would take the black-primed sections that the rope bridge would sit upon and give them a quick spray of Krylon "Make it Stone" textured paint. Then I remembered I would have to mask off the tops and bottoms of the sections so the texture would not interfere with the magnet and steel bonding. Simple enough. I traced the top-most birch wood section's outline onto paper, cut it out and masking taped it into place before spraying it.

Two of the stone sections after spraying with the Krylon textured paint.

Once it was dry (it takes quite awhile -- about 5 hours), I peeled off the paper, and flipped it over. I made another paper masking shape for the bottom and sprayed it with the textured paint, too. I also had to flip the upper bridge assembly over and spray the bottom of the end base sections, too. This required more masking with paper so the wooden bridge itself did not get sprayed. The long drying time for the textured paint and the need to spray both top and bottom slowed the build down a bit.

White paint is squirted into the gaps between the pine bark sections and coarse ballast is poured into it. This gives the start of the earth and grass that will sprout out between the rock sections.

Meanwhile, I had painted the entire surface of the upper bridge assembly -- wood bridge, posts, and pine bark rock surfaces -- a watered down black acrylic paint. Once it was dry, I squirted white glue into all the gaps between the pine bark sections and also along the edges. I poured Woodland Scenics Blended Gray Coarse ballast onto the glue. This would be the start of the ground and grass that would appear between between cracks in the rock surfaces.

A much more toned down stone look than the textured paint. I covered the entire surface with a dark gray wet brush, followed by a light gray dry brush. This was followed with an ink wash and further light gray highlight. Here the bridge posts and planks have not received its khaki dry brush nor its ink wash.

 With all parts done and dry, I looked at the stone sections and wasn't really crazy about the look of the textured paint. So, I took a dark gray color and wet brushed the entire thing surface of the sections and the bottom of the bridge ends. I followed this up with a light gray dry brush, black ink wash, and a further light gray highlight. A LOT of steps, and I wasn't even done, yet. However, I liked the look of the painted surface of the stone sections much better than the straight textured paint look. So, I guess it was worth the effort. In the meantime, I dry brushed the wood posts and bridge planks a medium gray, then a khaki. I did the wire connecting the planks in an autumn brown followed by a yellowish dun to represent rope. The skull beads atop the posts were dry brushed a yellowish parchment, followed by a sandstone. The entire surface then got a thorough ink wash.

The stone sections stacked up with the bridge assembly atop it. The posts, skulls, and bridge planks and rope are all finished here in this photo. One last bit of flocking remained after this stage.

My pine bark cliff sections have gaps of earth and grass in between sheets of stone, and I liked that look a lot. So, I decided to replicate it on the stone sections. I mixed up a 50/50 batch of white glue and brown paint and dabbed it on irregularly over the surface of the sections. I painted the gray ballast that I'd poured onto the top bridge ends with this glue and paint mix, too. While the surfaces were wet with this mix, I poured sand over them to give it more of a an earth look. This is very similar to the steps I do for the bases of my figures, and is essentially what I did for the two metal bases that the entire bridge assembly would sit upon.

You can see the earth flocking in spots on the rock sections and in the gaps of the rock surfaces, here. I'm hoping when grass is added to them that this will add to a realistic look to the pillars of rock.

I let this dry overnight. The only thing left is to put on the grass flocking, and any clump foliage I feel might look good. I'd say the rope bridge at this stage is about 95% done.

And finally, the flocked bases that the stone sections will rest upon. You can see the four "earth magnets" that will grip the steel base on the bottom of the stone section above it.

Ogre "Team Lift"

Zeke displays casual disregard for the caution label: "We don't need any stinking 'team lift'!"

I’m way behind in getting this game report from last week written up. Our old gaming buddy, Zeke, had recently received his Ogre kickstarter from Steve Jackson Games. This mammoth box contains 25 pounds of gaming accessories. My favorite part of it is the caution label on the box advising you to “Team Lift” the box! Anyway, Keith and Jason had also joined the kickstarter promotion and all were eager to see how it played. So, Zeke made a reappearance at our Sunday night gaming to stage a game for us.

There were six players divided into three sides. Zeke’s scenario was two massive Ogres (Mark IV or V, I can’t remember -- I never really read up on the Ogre world mythos) were defending a compound that the other two sides wanted to take possession of. Allen and Joel were the defending Ogres. The other two sides also had two players. Tom and I were the European alliance, with Tom having a lesser Ogre (Mark III?) and myself controlling a mix of heavy, light, and missile tanks, as well as some GEVx. Keith and Mike Stelzer were the the American side, and their force mirrored ours.

How far we've come in three decades! The original Ogre "mini-game" with a backdrop of the current mega-game...

Since Tom obviously remembered much more from playing Ogre more than 25 years ago than I did, I told him he was in charge. We advanced towards the defending Ogres in the center, hoping to be able to concentrate on one and avoid the other. On the other side, Keith turned tail and ran when Allen’s Ogre moved towards him. Allen reversed course and Keith was a non-factor in the first half of the battle. This gave us the chance to close in on Joel’s Ogre, though, and so we did. I made the mistake of bunching up my tanks along the road, which allowed Joel to run over way too many of them, grinding them up while taking minimal tread damage. Halfway through the game, I figured out the “stick and move” tactics I should have been employing all along.

Tom and my forces at deployment. Note Ogre uses 3D counters for the larger Ogre tanks, and ordinary flat counters for infantry, tanks, and GEVs.

Meanwhile, Tom was valiantly ramming Joel’s Ogre, and then Allen’s when it rushed to help out his not-so-beleagured brother. It didn’t seem like we were doing a lot to the Ogres, but eventually we began to strip away their weapons. Once that was done, we began to attack their treads. It was here that my dice rolling started to kick in, as I sniped at the Ogres with the remaining one third of my force. Keith and Stelzer had finally weighed in, after letting us take the Sams’ brothers’ battering. After about two hours of play, the Ogres were immobilized and weaponless.

Tom's smaller blue Ogre rams Joel's massive one, while Allen advances to help his brother. The black counters at the top are Mike Stelzer's. Keith's smaller ogre is frantically trying to make up ground and reach the battle.

Now, it became a struggle between my forces and the Americans for control of the compound (Tom had finally been battered to an immobilized hulk). Stelzer had more troops and a better pathway to the compound. Despite bravely forcing a one-turn tie, we were driven off on the subsequent turn. The Americans held the objective. Under Zeke’s point system, my force came in a distant dead last. I thought I was fairly effective late in the game, but I guess the numbers don’t lie. I lost too many tanks early on in the game. In hindsight, I would not have tried to mass for one attack. It might have been better to divide my forces into several waves, so that they were more spread out and less easy for the Ogres to counterattack.

Outnumbered, outclassed, Tom chooses a glorious death and repeated reams the Sams brothers until his Ogre is immobilized and all but a smoking hulk

It was a fun game, though. Hopefully, we’ll see Zeke again soon -- and play his 25-pound boardgame once more...!

"Indiana Jones" Rope Bridge, Part 2

The heavy metal bottom bases (layering of styrene and metal bases which will be the very bottom of the assembly. The bridge in the background with the pine bark pieces, as detailed below

I mentioned in the last post the sectional "sandwiches" I was creating for the bridge to sit upon. By stacking up as many of these sections as I wanted, I could vary the height of the bridge. If you remember, the sandwich was created by using rectangular birch wood pieces from Hobby Lobby as the "bread," and 5mm black craft foam as the "meat." Like any good sandwich, the meat overhangs the bread in an irregular fashion. This varying of sizes between each of the layers will hopefully make it more realistic. I used five slices of craft foam per section, attaching them one atop the other using Tacky glue.

Using a sheet of paper to trace the outline of each base bottom so it could get its layer of cardboard

The next step was how to connect the sections together. I planned on attaching a metal base to the bottom of each section and earth magnets to the top of each. The strong magnets would hold the pillar of sections together (hopefully). However, to prevent a gap between the two section equal to the width of the magnet and metal base, I dug out my scrap cardboard. I searched though them until I found one of the same thickness of the metal base and magnet combined. I then took a sheet of paper and placed it on the bottom of each section, rubbing it to get the outline. This was cut out and traced on the cardboard so it would be a good match for each section. I then placed a metal base on each piece of cardboard and cut out a square hole for each to fit inside. These were then affixed to the bottom of each base using white glue, which I used because I hoped it would dry thinner than the Tacky glue and not throw off my measurements of thicknesses (if that makes sense).

The bottom of one section, with its cardboard cap and the square for the metal base cut out and base inserted

After they were dry, I flipped them over and traced the outline of a metal base onto the top of each section. Four earth magnets were attached using two-part epoxy, which I used hoping it would be a stronger bond than white or Tacky glue. In the picture it shows just two magnets. I experimented using just two at first, but there was a slight wobble once the bridge was placed atop the stack of sections. I figured two more magnets would hold it in place more securely. You do have to press the magnets firmly down onto the wood base, as they are light enough to float atop the epoxy. Also, be careful not to place the magnets too close to each other or they will attract and move together. I also felt I would need a heavy bottom base for each pillar of sections. So, I combined a stack of metal and styrene bases which would come together to be the actual bases for the whole assembly. The bottom-most sections would sit atop these bases, which would hopefully be heavy enough to keep it from being knocked over. The beginnings of the metal bases, without earth magnets, are pictured at the top in the first photo.

The top half of one of the sectionals -- what attaches to the cardboard and metal base bottom. I used 4 earth magnets, though two are pictured at this stage.

I'd been looking at the bridge assembly itself -- the topmost section -- and was thinking it needed a little more spicing up. The craft foam ovals were just too bland and not "cliff-like" enough. I decided to find some pine bark pieces that would fit and Tacky glue them to the top level of craft foam. I sorted through the pieces I had left over from my pine bark cliffs, until I found several that were thin enough and roughly the correct shape. I trimmed them up with wire cutters and used generous amounts of Tacky glue to affix them to the top level of craft foam.

A close up of one end of the bridge, with its pine bark sections Tacky glued to the craft foam top. You can also see the skull beads atop each post.

Once that was done, and the metal bases were affixed to the bottom and the magnets atop, it was time for painting. I'd decided to give them a black spray primer coat first. I found some old plastic cups to tape each to so it would be elevated and easier to spray underneath. I sprayed once, let them dry, flipped them upside down, and sprayed again.

The next step would be texturing and flocking the rock surfaces.

"Indiana Jones" Rope Bridge, Part 1

"He not mad, lady...he crazy!" With those words, Short Round and Kate Capshaw hold onto the rope bridge for dear life in "Indiana Jones and the Temple of Doom." What with my last Pulp terrain piece being a cannibal's cookpot, it was time to do another equally iconic terrain piece from Pulp movies: a rope bridge spanning a chasm.

I'd been wanting to do a rope bridge for my Pulp games for awhile, but had been waiting on genius to strike. I knew the base material I would use, but not how I would make it more than a one-shot, stand-alone piece. I wanted something that could be used to span any number of chasms in games -- not attached or sized to just one set of cliffs, or whatever. I finally hit on a modular design which would allow me to adjust the height to fit whatever chasm I was planning to span. The gap would remain the same, but how high up the rope bridge was above the tabletop could be adjusted.

This craft store "Picket Fence" would be turned on its side and become the base of my rope bridge (the pointy ends trimmed off with a wire cutter). The wire that holds the fence together is bendable and holds its shape well -- making it a ready-made stand-in for Indy's rope bridge...!

The base material would actually provide me with most of the work pre-made. I'd long ago spotted the craft wood "Picket Fence" that Hobby Lobby, Michaels, and other stores sell. Turn it on its side, and scale-wise and look, it was a perfect stand-in for a rope bridge. And once I made the decision to forgo a certain aspect of my anal-retentive, perfectionist nature, I knew it would be even easier. I decided NOT to have any handholds or railings on this rope bridge. Yes, I know that in real life, any such construction would definitely have them. I was willing to give up that realism, though, in return for ease of construction. Besides, it is for Pulp games -- not a historical diorama!

The first leap of genius (I'm being generous to myself, here...!) was my decision to make the rope bridge butt up against whatever the gap would be it was spanning. Originally, I'd been thinking of something that would sit on top of cliffs, hills, or whatever. I couldn't figure out how to make it sit evenly on any type of surface. But by making it free-standing, all I had to do was shove whatever cliffs I'd be using on the tabletop up against it, sandwiching it in, so to speak. The obvious first choices would be the cliff pieces I made for my French & Indian War games from pine bark.

The top and bottom of each segment of the pillar holding the bridge ends would be made from one of these birch wood rectangles -- carved into irregular shapes, of course

Still, I was "stuck": Other than making every single gap the same height, how do I make this piece truly modular and adaptable to later tabletop setups? The final piece of the puzzle came when I decided to construct the "pillar" -- the piece that each end of the bridge would rest upon -- out of segments that could be stacked one atop the other to reach the correct height. The segments themselves would each end in a piece of sturdy birch wood -- the kind you can buy from craft stores for $1.99 a bag. Originally, I thought I'd use circles, but later decided birch rectangles would fit the shape better. The middle of each segment (the "meat" between the birch wood "sandwich") would be made up of layers of 5mm craft foam, which goes by various names in stores ("Silly Winks Foam Sheets" at Hobby Lobby). I could vary the width of each layer to represent the erosion and horizontal striation of the rock (I think that is the right term...I teach Social Studies, not Science!). The various segments would be held together by earth magnets and steel applied to the ends of the stiff birch wood tops and bottoms of each segment.

The craft foam which would provide the "layers" or striation of the rocky pillar each end of the bridge would rest upon

So, my concept was finalized, and now construction could begin. I cut a 9-inch section of the picket fence (the pack I bought was like about a yard long!), and then trimmed off the pointy ends of each fence board. This made it look more like the boards of a rope bridge. I then slid the end boards out of each terminus of the bridge. I cut four dowel segments and trimmed them to points for the four posts that would hold the bridge in place. I forced each dowel through the empty wire loop where I'd removed the boards. They fit perfectly!

Although it is hard to see, I would sit one layer on top of the craft foam and draw the outline of the next, slightly larger layer in pencil

I then made each bridge end piece by cutting out and shaping three layers of craft foam to go atop a rectangle of birch wood. The layers would get progressively wider as they went up from the wood base -- which I also rounded the ends on to give a more irregular appearance. The layers were glued together with Tacky glue, and also glued atop each birch square. Once dry, I pressed each dowel bottom firmly onto the top foam piece to mark the spot each post would be. This circle was roughly hollowed out with an X-acto knife. The hole was filled with a squirt of Tacky glue and the two posts pressed down into it so they attached to the bottom, and the layers of craft foam held them in place. Once this was done with each side, I bent the entire bridge into a pleasing, looping arc. The thick wire connecting the boards held the shape. The last two boards rested on top of the craft foam, but I figured that was okay.

This photo shows how the last board was removed from each end of the bridge, and the wire gap turned sideways. The dowel posts were then forced through the empty wire loops

Stage one was done! The next step would be to create the segments that would be stacked underneath each end of the rope bridge to raise it to the proper height dictated by the scenario. I liked the way it looked sitting on my desk. So far, so good!

Stage 1 complete! The rope bridge spans the two birch wood and craft foam end pieces, held in place by the dowel posts