The Beaver Wars, Turn 1 Report

This blog is intended to give you a look at how to play a campaign of The Beaver Wars in Ohio. So, I'll be providing turn by turn reports, along with battle accounts, analysis of strategy (and tactics), and more. Some nasty winter ice coming in on our regular Sunday gaming session meant that only four of my six players were able to attend that night. The others sent in their orders, for the most part, so we were able to get Turn 1 under way.

I began the evening going through the rules and explaining them. They are written to be simple and easy to understand (what we hope will be a hallmark of First Command Wargames products). One player had printed off a draft of the rules that I'd emailed everyone, and a second had read it online. The other two present were "winging it." They had no significant questions once I'd gone over the rules, though. The Beaver Wars in Ohio is actually 3 campaigns in one, covering the warfare in the Ohio Valley from 1650-1750. I chose to run this first playtest using the middle campaign, 1690-1720. It features the following seven Indian tribes: Illinois, Miami, Ojibwa, Ottawa, Potawatomi, Seneca, and Wyandot. None of my players chose the Illinois tribe, so all their towns become "non-player" ones that the others may attack or ignore, as they choose.

The turn begins with the GM dealing out the cards which represent income and logistics in the campaign. This is a normal deck of 52 cards -- though, I have to admit I bought a special deck off of Amazon with a painting of a different Native American on each one. All tribes begin the campaign with a hand of 3 cards. Each turn, they receive cards according to the number of towns they control. I was playing the "Fair" version of the middle campaign, with all tribes starting out in control of 3 towns. So, each received 2 cards representing the income from their tribe's farming, hunting, trapping, and trading, thus beginning the game with a hand of 5 cards.

 Next, players must establish the Turn Order. Each player chooses one of his cards in a bid for turn order. The higher the card, the sooner in the order their tribe chooses its action. This can become important because of the limitations on Invading or Raiding enemy tribes that have already been attacked. The Wyandot played the highest card, a Queen of Spades. He was followed by the Miami with a 9 of Spades, the Ottawa 6 of Hearts, Potawatomi 5 of Diamonds, Ojibwa 3 of Spades, and Seneca 2 of Hearts. There is a definite strategy to this phase of the campaign. Sometimes you want to declare your action earlier in the order, sometimes later in the order -- as the Miami were about to find out! These were the actions chosen:

• Wyandot initiated a Pow-wow (this allows players who attend the Pow-wow to trade cards)
• Miami chose to Visit the Trading Post (Keith got a lucky deal and already had a set of one of each suit, which would allow his tribe to turn in a bundle of Beaver Pelts and raise their Firearms Ratio)
• Ottawa chose to Ambush the Miami on their way to the trading post (if the ambushers catch the traders before they get there, and win the tabletop battle, they steal a card -- and Keith's set!)
• Potawatomi chose to join the Pow-wow
• Ojibwa chose to Trap & Hunt
• Seneca also chose to attend the Pow-wow

At the Pow-wow, players are free to trade whatever cards they have in their hands with other players who attend. This is an excellent way to create a set of one of each suit. The Wyandot and Seneca quickly struck a deal, trading one suit they had doubles of for one they were missing. Unfortunately for the Potawatomi, nobody wanted his Spades. This meant they went home empty-handed from the Pow-wow. In the future, I will probably give them the same option I give players who initiate a Pow-wow and have no one show up. They may look at the top card in the deck and trade it for one in their hand, if they choose. Think of this as minor, unrepresented tribes showing up to the Pow-wow. This is why play testing is important -- these type of things come to the front when your rules meet players (who tend to have minds of their own!).

 

    Woo-hoo! The Miami player is dealt a set of one of each suit. He chooses the 'Visit Trading Post' action to cash in his bundles of Beaver pelts that sets represent.

The Ojibwa player was one who could not attend that evening. So, I played his hand for his Trap & Hunt action. I turned up the top two cards of the deck and bingo! There was a suit that player needed. I made the swap and discarded the unwanted 2 cards.
 That left this turn's battle to fight out. As the Attacker, the Ottawa rolled on the "Ambush vs. Visit to Trading Post" chart. The roll on the chart dictates which of the 6 possible scenarios would be used. Tom rolled a "5" -- which meant that the ambushing warparty arrived at the trading post after the Miami. So, he set up his ambush just outside to catch them on their return. Tom set up the terrain according to the campaign rules for that scenario. Next, both players sat down and create troop lists.

One aspect of the Beaver Wars in Ohio is the honed-down army list players choose from. Essentially, they choose from 3 types of troops: chieftains (4 points), warriors (2 points), or youths (1 point). We were using the Small battle size, which awards each player 20 points to select their list from. An interesting feature of these rules is the "Firearms Ratio." This controls how common or rare muskets are among the tribe. Since we were playing the "Fair" version of the campaign, all tribes start out at 3:1. This means that a player must arm 3 figures with a Bow before giving one a Musket. Then, they must arm 3 more with Bow before receiving a second with a Musket. And so on. The Miami, on the other hand, had been fortunate. They began the game with a set, and were able to reach the trading post before the Ottawa ambush. This meant that the Miami armed his force using a 2:1 ratio, instead. Tom, who was playing the Ottawa, decided to offset the Miami advantage by choosing large numbers of Youths in his ambushing force. Larger numbers of Bow, mean correspondingly larger numbers of Muskets. Keith chose a smaller, more experienced force for his Miami trading party.

Ottawa Ambushing Force
1 Leader @ 4 points (Musket)
4 Warriors @8 points (2 with Musket, 2 with Bow)
8 Youths @8 points (All with Bow)
-- as you can see, the wily Ottawa beefed up their numbers with Youths, allowing them to arm 3 of their figures with the much more deadly Muskets!

Miami Trading Party
1 Leader @4 points (Musket)
8 Warriors@16 points (2 with Musket, 6 with Bow)
-- The Miami were very efficient with their numbers, too. Since one of every 3 figures can be musket armed at the 2:1 ratio, building a force total of 9 figures maximized the amount of Musket-armed troops, while not sacrificing in quality.

    Finished with their trading, the unsuspecting Miami trading party sets out on the trail

The scenario called for the Miami to place their wagon containing their trade goods in the center of the 3'x3' table. The rest of the figures must be within 6" of that center point. He deployed in a couple of rows on either side of the wagon. The Ottawa chose to have a tree blocking the trail (which the scenario allows) and deployed a blocking force of one warrior and several youths across the trail. The rest of his force was deployed parallel to the trail. Both players nodded at Tom's use of the "Classic L-shaped Ambush," with Keith seeming particularly worried about the outcome for his Miami.

    The Ottawa warparty included a large number of bow-armed Youths

However, Tom quickly realized when the movement began that he should have placed his chieftain in a more central position. In Song of Drums and Tomahawks rules, each figure has a Quality score. To activate the figure, you must equal or exceed its quality on 1d6 (with a +1 bonus if the Leader is within range). Youths have a Quality of only 5 -- as opposed to Warrior's 4 and Leader's 3. Most of the Ottawa Youths were outside of the command range of his chieftain, which would make moving them problematic.

On the other hand, Keith was looking at the ambush from an entirely different point of view. He saw the large numbers of Youths and was worried about his outnumbered warriors being swarmed. Much to my surprise, he began to abandon the wagon and exit off the nearest board edge. No Ottawa blocked their route, so their eventual escape was inevitable. The Ottawa tried to close, but had a hard time moving forward with the leader too far away to effectively urge all of his warparty on. One Ottawa killed a Miami who was guarding the front of the wagon with long range musket fire. As will be seen countless times this campaign (I'm sure), the jubilant warrior bolted forward towards his enemies to claim the scalp. The "Scalper" Trait in Song of Drums and Tomahawks required figures who have killed an enemy to make a Quality check to see if they "go out of control" and use all available movement to reach the spot of the slain enemy and spend an action scalping him. Miami muskets banged away at him and slightly wounded him, but he shrugged off the grazing hit.

    The Ottawa blocking force, mostly bow-armed youths as well, did its job and discouraged the Miami from advancing upon them along the trail

Anti-climatically, that was about it for the game. On the next turn, the Miami began to move off-board. Keith reasoned that his Firearms Ratio had been improved already, there was no need to die for the wagon's contents. I pointed out that they were valuable to the tribe -- tomahawks, copper kettles, European wares, etc. It also meant that none of his warriors gained any XP in this fight. Conversely, it meant that ALL of Tom's did. A figure receives 1 XP simply by staying alive and ontable by the end of the battle. They receive bonuses for scalps and for taking out enemy leaders.

I learned a valuable lesson in this first battle of the campaign: Players do not always see things like you do. Unless the rules actively discourage both sides from voluntarily runing away, and make significant penalties for those who do, players will take that as an option. I will rewrite the Ambush vs. Trading Post scenarios to reflect that Indians will not abandon their loaded wagon (or pack horses, as Keith suggested I change it to for more historical accuracy). The first turn excited the interest of the players, and provoked a lively email discussion. I expect the action to get even more heated on next turn.

    Ottawa warriors advance upon the Miami traders, who quickly withdraw away from them and escape off-table. The wagon and many of its supplies that the warriors could not carry are abandoned to the ambushers.

The Beaver Wars in Ohio -- A Campaign for Song of Drums and Tomahawks

The first supplement to the Fall 2014 release of my French & Indian War rules set, Song of Drums and Tomahawks, will be a set of campaign rules called "The Beaver Wars in Ohio." This is a set of campaign rules set in the late 17th century to early 18th century Ohio area.  Players control an Indian tribe battling for control of the area’s lucrative fur trade -- particularly beaver pelts, which are in much demand by European traders.  The campaign will last for 12 turns, at the end of which it will be determined which tribe has established hegemony over the others in Ohio.

These pages of my blog will cover our group's playtest of the rules, which began in January, 2015. I will post a new entry for each turn of the campaign and discuss what each player's tribe did, and perhaps explain their strategy. The rules actually present three separate campaigns, covering the early phase of the Beaver Wars (1650-1690), later phase (1690-1710), and what I call "The Vacuum" (1720-1750) -- when many other tribes were drawn to the area after its depopulation once the decades of conflict subsided. For this playtest, we chose the later phase, or middle period. This covers the period after the overwhelming Iroquois onslaught into Ohio, and actually represents when the other tribes were pushing back against them. Not counting myself who is running the campaign, it will have six players. They will represent the Miami, Ojibwa, Ottawa, Potawatomi, Seneca, and Wyandot tribes. 

Here is the campaign map.

 In the Beaver Wars, the tribes are competing for hegemony over this area. In game terms, this will be represented by a struggle to be the best in four areas:

•  Number of towns controlled
•  Number of bundles of beaver pelts traded to Europeans
•  Number of victories won in battle
•  Experience gained by surviving members of player forces

 Each tribe will be ranked 1st-6th in each area. This will translate to a certain number of points (first place will be 6 points, 2nd 5 points, and so on). The points are totaled up each turn to determine who is leading in the campaign. So, a tribe can't simply go for a war of aggression, taking over rival towns. They must also pay attention to the economic aspect, represented by the beaver pelts.

The logistics and economics of The Beaver Wars are controlled by a deck of 52 playing cards. Player earn cards as income, and trade in sets of them to represent beaver pelts. Trading with the Europeans provides them with more firearms, which makes their forces more effective. No one strategy can be relied upon, and the warfare between the various tribes will effect the choices a player must make.

The whole point of the campaign, of course, is to generate tabletop miniatures battles. My players will use Song of Drums and Tomahawks to fight out the battles, but the rules can be easily adapted to fit any man-to-man skirmish rules for the period. There are four different types of battles that can be generated, each with 6 possible scenarios springing from it. So, the rules essentially provide two dozen scenarios for players to game, which should give plenty of variety. Players are given a wide leeway in drawing up their troop lists, so this should generate even more variety of games.

Stay tuned to these pages for regular updates to The Beaver Wars campaign. If you are interested in purchasing Song of Drums and Tomahawks rules, they are available in both print and PDF versions on the Ganesha Games and Wargames Vault websites, linked below.

Ganesha Site: Click here to download the rules 

Wargames Vault: Click here to download the rules

Indian Youths from 2 Different Manufacturers

As I get closer to beginning playtest of my campaign rules covering the 17th-18th century Beaver Wars here in Ohio, I realized I needed more figures armed with bows. And specifically, figures that could pass as Indian "youths." One of the aspects of the campaign is players will create their army list for tabletop battles immediately prior to the game. An option they have is to choose Indian youths -- weaker, less effective figures -- to bulk out their numbers, if they desire. Seeing as how I have few to no figures that fit that category, I decided it was time to get some painted up!

    Footsore Miniatures "Skraelings" painted up as Indian youths

At Historicon 2014, I'd purchased one pack of four "Skraelings" from Footsore Miniatures. When I'd seen them in the dealer area, I was immediately struck by their clean, simple lines. I figure that Indian youths will have less equipment than others because they have not had a chance to accumulate any. The fact they were armed with bows was perfect, too. Youths probably would not be entrusted with a firearm until they became much more common that was typical during the Beaver Wars. I was almost scared away by the fact that the hand with the bow is detached and you have to glue it in. I am NOT a fan of "assemble your own" figures. Those boxes of plastic figures from Wargames Factory are my own private vision of the inner rings of Hell!

I persevered, though, and purchased one pack of four. Somehow, in showing the figures to my friends, a hand/bow piece was lost. Luckily, I was able to find a suitable replacement in my 28mm Dark Ages miscellaneous bags. The hands have a pin end which fit into a hole on the wrist stump fairly well. Still, I would rather not have to glue anything together on my 28mm miniatures -- which is probably another reason I love Conquest Miniatures Indians so much. There's plenty of variety there -- no need for kit-bashed variety created by mixing and matching weapons and body parts.

The figures were incredibly simple to paint, and I will likely order some more soon. There are two main poses - one running and one standing and firing. Each type has a slight big of variety, i.e., the two running poses are marginally different. I like the long, flowing, "Conan the Barbarian" type hair that they are sculpted with. It looks very much like what I picture an Indian youth.

    25mm RAFM Indian Archers

The last two figures I painted in this batch of six are Indian archers from RAFM. Theses are smaller (and thinner) than today's 28mm figures. So, they fit the bill for Indian youths, as well. The detail is noticeably worse than either the Footsore Miniatures or the normal Conquest Miniatures that I paint up. However, I had them in my unpainted lead drawer, so onto the desktop they went.

Next up on my desk are three 28mm Pulp figures. With the conclusion of Dakota Smith's Oriental Adventures first story arc, my friend Tom has volunteered to run the next adventure. That means that *I* get to play. Which means I need my own league. It was fun to dig through my Pulp drawer and pick out three figures and create a back story for them. That's for next update, though...

Cheap Trees for the Tabletop

    You can fill a whole board with inexpensive trees like these!

To run my big French & Indian War events, I need lots of trees. I mean LOTS of trees. I've been borrowing some from my friend Steve for the last couple years. I decided it was time I added to my own collection. And I wanted to do it in a relatively inexpensive way. So, I headed up to Michaels Craft store in the hope of finding something in their plastic plant collection that would work. I found a couple plastic pine branches meant as Christmas

decorations. The pine bristle parts pop off in "branches" of three fronds that look like trees on their own. They were the perfect height, too, so I picked one of them up for $4.99, at 60% off for about $3. Once I popped off all the branches, it would create 12 trees. I liked the looks of them so well, I went back and got a larger one at $9.99 (60% off for about $6). It was good for about 20.

Now, how to base them up? I would need washers for the base, of course. When the branches pop off, it creates a hollow plastic cylinder about 3mm in diameter, and about 1 cm long. I picked up a box of carpet tacks that the cylinder would fit tightly over. I found out after gluing the first batch down, though, that I needed heavier fender washers to keep the tree upright on the tabletop. So, it was back to the hardware store for about 30 big fender washers.

So, without further ado, here's the tutorial for creating pine trees for the tabletop on the cheap!

    The carpet tack was epoxied upright over the hole in the smaller washer (1/8th inch hole by 3/4" diameter). However, the washer is not heavy enough to keep the tree from tipping over. Thus, it is epoxied to the thicker fender washer, as above.

    A row of the washers with carpet tacks epoxied in place atop, waiting for the tree branch to be glued onto them. A friend suggested I should have had the carpet tack go up THROUGH the hole of the first washer, not just atop it. Good point, as I did have a few carpet tacks pop off during the process.

    One of the Christmas pine branches from Michaels craft store. This larger one is good for about 20 separate trees.

    Pop! The pine bristles pop easily off into a branch with three fronds that looks very, as Pippin would say, "Tree-ish"

    I used a hot glue gun and placed a blob atop each carpet tack. Then the branch was pushed onto the carpet tack. The excess glue ran down onto the base to give a good contact with the washers.

    I have a premixed batch of white glue and brown paint. I squirted some of this into the palette and brushed the glue/paint mix over the washer and onto the bottom of the trunk.

    Quickly dip the wet washer into a tub of brown coarse ballast and swish it around to make sure the washer is fully covered. You will need to scrape or brush off the ballast that adheres to the bottom.

    I missed taking pictures of a step here. After the ballast is dry, I fill up a dish with a premixed 50/50 white glue and water mixture. I then squirt some dark brown paint into it and mix thoroughly. I then dip each washer down into it, setting it to dry on something it won't stick to (I use a cardboard box that I place things on to spray prime). The dark brown glue and water mix settles into the crevices of the ballast as a kind dark wash -- sealing it at the same time. Next (the step pictured above), dry brush the base a khaki to give it depth.

    One more dish of 50/50 white glue and water mix is put into a dish. I then do a final sealant by dipping the washer base into the dish and spreading the glue over it with a cheap brush. For the un-pictured step above, just imagine this white glue and water mix with dark brown paint in it.

So, how much did it all cost for about 32 trees? Well, I have lots of the small washers and carpet tacks left over, of course. I would estimate it cost me just a bit over 50 cents per tree. They were quick and easy to create and will look fine in mass on the tabletop. So, if you're interested, head out to the local craft store while they have the plastic Christmas pine branches on sale...!

Dakota Smith's Oriental Adventures, Part 7: Debacle at the Docks

    The sleepy port town of Hoi An in French Indochina before the action commences

 It is a quiet morning in the riverport town of Hoi An, French Indochina. The freighter Dionysius is expected to pull in at the main pier at any moment. Coolies are stacking the cargo and stores to be loaded upon arrival. In town, various groups of Western archeologists are laying low, scanning the river anxiously. Dakota Smith has booked passage on the freighter for himself and his two companions. Hidden in their luggage (or being carried by them?), is an ancient artifact -- the Tears of the Buddha.

    Locals are going about their business, while on the pier things are starting to get busy

Dakota is not so naive to think he will get on board the freighter without a scrap. First, the French authorities -- represented by Inspector of Antiquities Pierre Fournereau -- don't want such a valuable artifact to leave French territory. Next, the British and Irish archeological teams may want to seize it for themselves. Plus, Dakota knows that it has been too long since his arch-rival, the German archeologist Von Jaeger has reared his ugly head. And finally, perhaps most dangerous, the Order of the Fire Coral has been dogging his footsteps since he arrived in Indochina. To think they would not make one last attempt to recover the Buddhist artifact would be hopelessly optimistic. Masters of disguise, they could be anywhere in Hoi An.

    Local workmen are lining up packages and cargo for the imminent arrival of the steamship

His good friend Harold Fortwine grunted and point to the far jungle. The black smoke of an approaching steamer could be seen rising above the treeline. Chairs scraped as Dakota and his companions headed for the door. It was now or never. As Dakota Smith and his companions left the customs house on the town square of Hoi An, Dakota grumbled, "I got a bad feeling about this. Harold, Dolly, keep a sharp eye out!" All around them, the river port bustled with activity. Coolies were on the wharf loading and unloading the freighter. Dakota saw their baggage among the items being carried aboard on the backs of the IndoChinese laborers. He patted his satchel which contained the prize from this expedition. The famed Buddhist relic, "The Tears of the Buddha" -- which legend said had magical powers.

    Seeing the tell-tale smoke from the arriving steamship, Dakota Smith & companions leave the Customs House

Shouting on the pier drew the Americans' attention. The freighter's bosun was cursing mightily at two of the coolies who had apparently dashed their loads to the dock and stood glaring and pointing at the Americans. With a sinuous movement, they whipped off their peasant garb and assumed a fighting crouch. "Uh-oh," Dakota muttered as he noted the red and black uniforms they had been wearing underneath -- the unmistakable gear of the Order of the Fire Coral.

    Catching sight of the hated American archeologist, the workers remove their disguise!

Dakota dashed for the cover of a line of wooden barrels beneath the harbor master's wooden observation tower. Dolly walked determinedly towards the pier when she saw one of the agents kick her luggage into the water and laugh. "Dolly, no!" Dakota shouted, unholstering his pistol. As he took careful aim at the agents on the pier, he caught movement out of the corner of his eye. A warning shout from Harold Fortwine, made him turn. Chuckling and cracking their knuckles, three more agents walked out of the door of the customs house. He recognized the bald, muscled Tat Ko and the masked female, Jazh  Minh. "This could be bad..." he called over to Harold.

    Knowing he has the Tears of the Buddha, the martial artists of the Order of the Fire Coral attack

 The hairs on Dakota's neck rose up when he a familiar voice call out, "I'm afraid, my dear Dakota, it is about to get much worse..." The American whirled and saw creeping up behind them Von Jaeger, his stooge Otto Tulmann, and the evil old Fraulein Blucher. "Harold! Dolly!" he yelled. "We're surrounded...make a break for it!" Jazh Minh and one of the Fire Coral agents rushed him and he fired off shots quickly. He heard Harold cursing as he jabbed and boxed with Tat Ko. There was a blaze of gunfire from the Germans and he heard Dolly cry out and a thud as she fell hard at the foot fo the docks. There was nothing Dakota could do for her as he dodged the kicks and punches of the martial artists.

    But wait! Dakota's German rival, Von Jaeger arrives as well to further complicate the struggle

Dakota grimaced as Jazh Minh vaulted away, thinking "That wench's kicks hurt!" With no martial artists in his face, he turned to face the Germans...too late! Both Von Jaeger and Otto Tulmann opened fire. Dakota felt a searing pain and fell to the dirt. That jarred his wounds even harder and he blacked out. His last thought was for the Tears of the Budhha. Had it gone flying out of his satchel when he spun to the ground? Meanwhile, Harold was holding his own, bludgeoning Tat Ko with his boxing skills. Dolly, though, also in a heap near the pier. Fraulein Blucher growled in disdain as she saw Jazh Minh somersault backwards and landing on her feet. She rushed the martial artist, ignoring Von Jaeger's warning. Just as she began her roundhouse swing, Jazh Minh's foot connected with the bridge of her nose. The gray haired matron collapsed.

    Dakota is knocked down and his satchel opens, and the valuable relic goes flying across the square

There was a gasp among the archeologists and the agents of the Fire Coral as the Tears of the Buddha flew from Dakota's satchel and landed several feet away from his unmoving form. One of the agents dashed in and picked it up. He was gunned down by Von Jaeger and again the Buddha went flying. Tat Ko rushed over and with Neen Wa stood over it and dared the Westerners to make a move towards it. Surprisingly, Von Jaeger nor his goons never tried to grab it. Instead, the were venting their anger on Dakota and Harold, blazing away at them and ignoring the Fire Coral. The Irish and British teams were closing in, but they also seemed leery of making a run at it.

    Rival French and Irish archeologists arrive on the scene, too, and it is a free-for-all in Hoi An

Meanwhile the Irish and British teams were creeping stealthily through the town square towards the pier. Despite previous bad blood, they ignored each other for the most part this game. Both had valid chances to make a grab for the other's minor plot point (they could recognize it by passing two Cunning checks when within 12"). Neither took it. The Irish did close in on the French who were slinking down the road towards the freighter. They joined Otto Tulmann in blazing away at Pierre Fournereau and Dr. Lambert, who was carrying the French artifact. The French fire was accurate, though, and they gave better than they received.

    Arriving from the square, the Irish archeologists are in hot pursuit of the Tears of the Buddha

    The French archeologists on the pier, ready to snatch up the relic and board the steamer

Surprised at their luck to be ignored by the Germans, Tat Ko nodded at Neen Wa to pick up the Tears of the Buddha and make a dash for it. Tat Ko charged the British Maj. Speke-Eastman who blocked the path leading over the bridge and into the jungle. Neen Wa took advantage of the distraction and raced over the bridge, stowing the idol in his robes.

    Taking possession of the relic, the Order of the Fire Coral attempts to spirit it away

Neen Wa's flight wasn't unobserved, though. Harris McLeod, the portly representative of the British Museum tut-tutted to himself. "Now, here, laddie. We can nae have yee fleeing with such a prize, can we?" The Scottish laird lined up the fleeing agent in his sites and squeeze the triggers of both barrels of his gun. There was a cry and a flash of silver as the idol flew from Neen Wa's lifeless body and tumbled into the jungle. Moving faster than you'd think possible, Harris followed the path of his fatal shot.

    Harris McLeod sees them fleeing with the Tears of the Buddha and brings them down with a shot

 Harris heard footsteps behind him on the bridge as he pounded towards the Tears of the Buddha, which he could see glinting from beneath a swaying fern. He hoped that it was Speke-Eastman behind him, and sneaked a glance over his shoulder to see. An evil hiss in front of him froze him. Swaying above the idol was the hooded body of a cobra, who's nest must have been disturbed the idol's tumble through the vegetation. "Och, good god!" Harris yelped, then swung the barrel of his rifle over his head and pounded the snake into the jungle floor. Reaching tenderly for it, he confirmed the cobra was dead before picking up the gleaming artifact.

    A cobra rises up from the vegetation when Harris goes to reclaim the Tears of the Buddha

On the pier, Pierre waves off Dr. Lambert aboard the departing freighter, carrying the minor plot point that his team had secured. His main goal was to ensure no other Westerners escaped aboard the freighter. It was a shame that the British slinked off into the jungle with the Tears or the Buddha. However, they were not out of French Indochina yet. There was always a chance that his gendarmes would find them and capture it. Something would have to be done about the agents of the Fire Coral. How could an archeologist work here it they constantly had to watch for a knife in their back from their sinister hands!

    The French escape aboard the steamer with a minor objective - stranding the other Westerners

 And so, Dakota Smith's Oriental Adventures first story arc comes to an end. It was quite the adventure and the players seemed to really enjoy it. Each league seemed to have its moment in the sun. Would Harold be able to gather the wounded Dakota and Dolly and nurse them back to health? Would the Americans return empty-handed to Portland, Oregon? Or are there more adventures to be had in French Indochina? After all, only the French Dr. Lambert was on board the freighter when it sailed from Hoi An. The others would all need to find a different way home...

   Players gathered around the table, their actions and interpretations creating the story in Pulp Alley

Thanks to Pulp Alley for making our games such a blast! I highly recommend these rules as they seem to create an exciting storyline just in the playing.

Making Scalp Markers for Song of Drums and Tomahawks

 

    Scalp markers for my Song of Drums and Tomahawks games

One of the rules in Song of Drums and Tomahawks that give a nice flavor for the period is "Scalping." When a figure has this Trait in the game, it will sometimes go out of control, so to speak. Whenever one of these figures puts an enemy out of action ("kills"), it must make an immediate Quality check. If it fails, then all subsequent movement must be to rush to the position of the downed enemy and take an action to scalp it. This may be foolhardy indeed. Even if the player may think it is foolish to have his Indian leave the cover of a patch of woods and run out into the open to scalp the enemy they just shot, the figure must do it if it failed its check.

Up to this point, I've been using red craft store pom-poms to mark the position of the downed figure (which is itself removed) and to place upon the base of the figure who failed their Scalping check. Late in a game, this may get a bit confusing remembering which marker applies to which figure. My solution? Scalp markers. Or more accurately, pairs of scalp markers. One of the pair is placed at the spot of the downed figure. The other is placed on the actual base of the miniature who must move to that spot and scalp that figure.

I am a big fan at keeping unnecessary and unattractive clutter off of the miniature gaming tabletop. So, though I could put a simple numbered marker on the table, I wanted "scenic" markers that would blend in with the tabletop. All of my miniatures are on 1" (25mm) square wooden bases. So, I looked through my supply of metal washers and found a box labeled "SAE" -- which measured about 3/8th inch diameter (1 cm). These are small enough to fit on my figures' bases, yet large enough to be visible and easily handled on the tabletop. My idea was to create flocked, scenic pieces in matching pairs, such as different colored bushes, rocks, etc. I decided that each player should have a half dozen pairs of these markers. My "Ohio Frontier Aflame" game features five matched pairs of players fighting linked, but essentially one-on-one games. So, that cut down on the variety I needed, as they could be duplicated from battle to battle.

    Step 1: Taking the tiny washers and affixing a piece of cardboard to cover the hole. Step 2, flipping them over and adding a tiny ball of blue tack (some times called poster putty).

I started with ordinary cardboard and cut out a long strip the width that would cover the washer's hole. I then cut each individual square out equal to the number of washers I would be creating. The cardboard squares were then epoxied onto the washers. If you have a piece of styrofoam, this is a good place to let these dry, so that any epoxy that drips off of the washer or through the hole will not be too firmly attached to the cardboard or wherever you are drying them. After the epoxy had set, I turned the washers upside down and took a tiny ball of blue tack and placed it onto the washer. In the picture above, you can see the top two steps illustrated.

    Step 3: Take a long screw and press it into the blue tack. This makes a nice, easy way handle for the tiny washer. Press the bottoms of these screws into a piece of styrofoam as a holder.

Next, I took a long screw and pressed it into the blue tack. The bottoms of the screws were then pressed into a styrofoam holder I'd created. I did my scalp markers in two batches because that was how many long screws I had sitting around. Once you have all of your screws with washers blue tacked to them sitting in your styrofoam holder, you are ready to move on to the next step.

    Step 4: Dip each washer into a 50/50 mix of white glue and brown paint. Let the glue lap up to the sides but not over it onto the bottom of the washer.

I mix up a batch of about 50/50 white glue and earth red paint -- the color I use for my bases on my figures. Actually, I premix it by taking a bottle of Elmers white glue that is about half empty and pouring in the paint. That way, all I have to do is shake it up and I can unscrew the cap and apply it. In this case, I squirted it into the depression in a plastic palette tray. I grabbed a screw and washer from the tray, inverted it, and pressed it into the glue/paint mixture. Don't let the bottom get covered up. Just dip it in deep enough so that the top and sides are covered in paint.

    Step 5: Press the wet washer into a tub of sand -- I simply buy craft sand from the local hobby store as it is a nice, even texture. Set the screw upright back in the styrofoam tray to dry.

Immediately take the washer and press it lightly into a tub of sand. The sand will adhere to the glue/water mix. What's more, the paint will color the yellowish sand a nice shade of dirt brown. It only takes a second or two for the sand to soak up the glue and attach itself to the washer. Invert it and place it back in the styrofoam tray. This step goes real quickly, and you can do dozens in a couple minutes.

    A row of washers attached to their screws and set out to let the sand/glue mixture dry overnight.

I let the sand and glue dry overnight. That way it forms a nice hard surface. At this point, you have to decide what type of scenic terrain you're going to put on the flocked washer base. Simple and easy ideas include Woodland Scenics "clump" flocking in various, easy to distinguish colors. I had a light green, dark green, and a reddish brown piece. Had I not been cheap, I would have bought a yellowish piece, as well. These will make good tiny bushes. You can get fancy and take green clumps and paint dots of bright color on them to make flowering bushes, too, like I did. You can also use various colors of rocks, such as aquarium gravel, railroad tallus, and so on. And finally, for piles of tiny stones, you can use Woodland Scenics ballast in different shades (tan, gray, etc.). Other ideas that I did not use could be discarded equipment like tomahawks, packs, hats, and so on. I did not use those ideas because I did not have any spares of these lying around, and I wanted to my first batch of scalp markers quickly without taking the time to make them out of Sculpy or whatever. Remember, keep the washers blue tacked to the screws until they are completely finished. This makes the tiny washer easy to handle.

    Yes, I know it is a repeat picture! But here's another shot of the completed, flocked scalp markers. Let the game begin!

I recommend flocking the bases with whatever you use for grass -- I use fine Woodland Scenics blended turf. I flocked my bases by simply painting 100% white glue onto the earth mixture and then sprinkling the flocking onto it. I usually spray them with Dullcoate the seal it in before I go on to the next step. This is simply gluing on your bush, rock, pebbles -- whatever you've decided to decorate that pair of bases with. Try to make the pairs match up, choosing similar size and shapes of rocks or clumps of foliage.

After they have dried, I take a 50/50 white glue and water mix (premixed in a bottle, like above) and fill up the depression in the palette again. I grab each screw from the styrofoam holder, invert it and dip it into the watery glue mixture. I tap off the excess and then set it back in the holder to dry. This "seals in" the flocking effectively. After the glue has dried, give them a final spray of Dullcoate. Once dry, you have to peel off each washer from its screw. Tiny bits of the blue tack may stick to the bottom, or it may come off easily. No biggie either way as this is on the bottom of the scenic washer. The blue tack is reusable, of course. And now, your first batch of scalp markers are done!

    Scalp markers on a figure. It's matching twin is at the spot of the fallen warrior he must scalp

Song of Drums and Tomahawks Demo

    My four players look over the 6'x2.5' board that I set up at the game store

I packed up the Song of Drums and Tomahawks "show" and took it down the road a few miles to the local game store. The Central Ohio Gamers Association were having their monthly meeting and were looking for a second game to entertain their members. I set up a small table for 4 players merging two of my one-on-one scenarios I use in the "Ohio Frontier Aflame" game. I added a twist or two, and then set out the rule books to see if I could also get a sale or two.One player was completely new and another needed a refresher, so I gave them a quick, 10-minute rundown on the rules. Halfway through turn one, I decided to "split" the 4-player turn sequence into the two separate one-on-one games, rationalizing that I would make adjustments if troops got near each other. They never did, so the players were able to go at their own pace and not wait for the other skirmish to progress.

    The raiding party of Stockbridge Indians have decided not to wait for their Rogers Rangers allies and head home

One one side of the table was a Huron village. A squad of 7 Rogers Rangers are finishing up their looting of the village when a Huron hunting party returns and finds them. On the other side, the Rangers' Stockbridge Indian allies begin the climb up the cliffs to head home -- tired of waiting for the foolish Rangers who have lingered too long to loot. Unbeknownst to them, another hunting party of Hurons have seen the smoke and climbed ahead of them to cut off their escape.

    A Huron hunting party have cut off the escape of the Stockbridge raiders

The battle along the cliffs was quick and brutal. Both sides advanced quickly and were soon exchanging musket fire. Early on, the Stockbridge aim proved more deadly, and a few Huron fell.

    Tired of waiting, the Stockbridge raiding party ascend the cliffs

Soon another, and another Huron hunter fell lifeless to the rocks or plummeted far to their deaths. The Huron chieftain urged his men forward to close into the Stockbridge in melee. He hoped their tomahawks would take a toll that his muskets were not.

    The Huron firing position proves inadequate, and they begin to take losses

This strategy proves no more successful. One by one, the Huron leader sees his braves cut down. He is proud when they stand firm despite their losses. At least they will die like men, and have no shame when they meet their ancestors around the council fires. Soon, only the leader is left. He, too, falls victim to a well-aimed Stockbridge shot. Only the Stockbridge remain on the ridge. They raise their emptied muskets aloft in triumph. Their war calls echo down into the valley below.

    The Stockbridge raiders raise their muskets in triumph as they take possession of the cliffs

In the village, the Ranger sergeant orders his men to make for the exit, which he knows from the Huron howls will be guarded by warriors seeking vengeance. Some of their number take cover in the longhouse doorways while others sneak through the houses themselves towards the exit. The Hurons fan out from the entrance loosing off shots at the Rangers and howling as they close in.

    Huron warriors fan out from the village entrance seeking the remaining Rangers

Musket fire is glancing harmlessly off the bark-covered longhouses. First blood goes to the Huron when two braves charge into a longhouse and find a couple Rangers sneaking through it. Their tomahawks flash in the gloomy interiors and soon the two Rangers are lying lifeless on the dirt floors. Knives flash and their scalps are held aloft as the Huron war-cries ring off the walls.

    Two Huron braves race into a longhouse where two Rangers are sneaking though, seeking an exit from the village

A fatal shot echoes across the village, though, and the Huron warleader falls dead. The braves momentarily panic and race towards the exit. However, the sight of their smoking villages soon rallies them and they return to the fray. The momentum has swung to the Rangers, though. They crouch in doorways or at the edge of buildings and pour accurate fire into the Huron hunters. Indian after Indian falls. When their numbers drop blow half, many flee for safety in the nearby woods. The remaining Huron accept defeat and quit the village. They hope once the Rangers are gone, they will find some of their people alive and in hiding.

The game went quickly and lasted about two hours. Each warparty began with one leader and six troops. The players enjoyed the game and had fun -- even those whose ranks were decimated. The other club members complimented the terrain and looked interested. I sold a couple copies of the rules, too, so the day was a success! Song of Drums and Tomahawks always provides a fun game and today proved no exception...

Chinese Civilians Completed!

    28mm Chinese Civilians from Pulp Figures by Bob Murch

I am curious how long it has been since I've painted a batch of miniatures. I don't want to count terrain -- which I did a lot of this past summer and fall. However, I bet it has been at it is going on three months! Way too long, I say!

So, to remedy that situation, I finished off my batch of 10 28mm Chinese Civilians for my Pulp Skirmish games. Most of the minis are from Pulp Figures by Bob Murch, as mentioned in the previous post. I really like these figs, so will doubtless be buying more from this company. They are big, solid figures with interesting poses and equipment. Of course, I changed out a lot of that equipment to convert the pack of "Yangtze River Gangs" into more peaceful farmers, merchants, and laborers. These figures have a lot of character -- particularly the short guy selling the duck, the hobbled old man, and the porter with the two boxes suspended on a pole.

    The Bob Murch line of Pulp Figures has lots of colorful characters, like these two on the left

I used the painting schemes on Pulp Figures' website as inspiration. Some color mixes I pretty much copied, while others I improvised upon. I'm happy with how they turned out. There is a nice mix of faded colors and brighter, more oriental silk palette. I think all of the conversion look natural. I was worried the barrel the one laborer was hefting would look out of scale, but I don't think it does. Same with the basket on the ground that the well-muscled porter has set down. They all look like they were off to the market rather than to war.

    Farmers, Laborers, and other civilians will come in handy in my Pulp games

These figures will be pressed into action as soon as I run my final scenario in this storyline of Dakota Smith's Oriental Adventures. What's up next? I will likely paint some 28mm Native Americans. As I'm getting ready to playtest my Beaver Wars campaign rules, I need more figures I can use for youths or bow armed troops. Hopefully, these Chinese got the ball rolling and I'll get back into the swing of painting, again...