Trying Out Frostgrave: Ghost Archipelago

The board -- which feature my temples and Jeff's plants, along with Steve's Saga Dark Ages figs

I had been seeing lots of posts on the Lead Adventure Forum, as well as on Facebook, about the Frostgrave rules. From what I could gather, it was a set of fantasy skirmish rules with a strong campaign and a bit of role-playing element. Each player controlled a wizard and his band of hirelings searching for magical treasures in a frozen city. It sounded interesting, and I had been wanting to try the rules out to see if the game was fun.

My Heritor in the bear-skin cloak, leads some of his followers towards the temple ring in the distance

So, when Steve P invited me over to his house to play a game, I jumped at the chance. Steve had played in my Beaver Wars playtest, and I had known his friend Jeff for a long time. When he emailed requesting we bring jungle terrain and dinosaurs and other assorted, appropriate monsters, I scratched my head a bit. I thought that, well, maybe he doesn't have any winter or ice terrain and was going to set it in a jungle. When I arrived, I discovered that there is a spin-off edition called Frostgrave: Ghost Archipelago, and that was what he was running.

Jeff and Steve spent much of the game attacking each other, which made things easier on my group

I expected Steve to have our wizard and bands of hired fighters chosen up beforehand. He didn't, though, saying he wanted us to experience that aspect of the game, too -- choosing your wizard's band. It also turned out that the game itself has changed in this edition. Your leader is called a Heritor (not a wizard), and has developed innate abilities. We could choose any 5 abilities from a list of 40. So, no longer does your leader choose one of the 10 schools of magic as in the original Frostgrave rules. Everyone also has a Warden -- the equivalent, I guess -- of the Apprentices in the original. However, I found my Warden to be every bit as tough as my Heritor. With these, you do have to choose from among five types of Wardens. You select 3 spells from that type, and any one from another type's list. I chose a Beastmaster, of sorts.

Two archers of my force, guarded by an infatntryman, line up shots against the enemy in the distance

Next, you finish out your force of 10 figures by purchasing 8 fighters to round out your band. You get 250 gold pieces to hire them. I choose 3 archers, 2 infantrymen, and rounded out my force with 3 "free" standard fighters. I did not pick any of the more expensive types, such as Hunters or Guides, wanting to minimize the learning curve.

The central ring of raptor eggs quickly became a hotbed of action

Steve had selected a scenario from the book where we blunder upon a circle of dinosaur eggs. We placed the 6 treasures -- half of which had to be within the ring of dino eggs. Every turn, there was a 25% chance 3 of the eggs would open up, releasing baby T-Rexes (raptors, in this game). We entered from three of the board edges and quickly advanced towards the middle of the board where the eggs were. I split my force up to go around a small temple in front of my force. I immediately used my Heritor to "Wraith Walk" through the back wall and inside where he picked up the first treasure of the game. Jeff and Steve's forces began exchanging bowfire quickly, and began to draw blood.

My Beastmaster Warden took control of the raptors mentally, and sent them after Jeff's force, where they began to chew up his hirelings

I caught on quickly with how combat worked. Each player essentially adds the roll of a  d20 to their Fighting bonus, along with some tactical factors. Shooters add their shooting bonus, with the targets adding for cover. This opposed die roll mechanic becomes deadly when you consider you are using d20s. A swing of opposed rolls of 20 vs. 1 is probably going to kill all but the Helitor and Warden, who will be grievously wounded. This is mitigated by the fact that most characters have an armor rating of 10-12 or so, which is then subtracted from the winners total roll in the opposed die roll. Nothing happens to the winner -- only the loser takes damage.

Two more of my hirelings investigate a brick temple for treasure

When the first raptor eggs began hatching, I used my Beastmaster Warden to take control of the vicious saurians and move them into contact with Jeff and Steve's figures. Earlier, I'd summoned an animal, but rolled only a Mountain Goat. Since none of us had brought goat figures, I pulled out a Komodo Dragon figure, who bravely pranced into battle alongside my hirelings. When raptors hatched next to my figures and things began to look grim, the goat/dragon charged into them, and over the course of several turns, killed both raptors menacing my figures. Go, go goats!

The dice eventually fell against me, and two more raptors woke up next to my troops. The Komodo dragon bravely charged and killed one, then followed up on the other

In addition to snatching the first treasure token, I did fairly well in picking up other ones. I even snatched the Major Treasure token from the middle of the Dino Egg circle and was able to get it to my side. When we called the game, my force had four of the six tokens under control or off our board edge. It was a smashing victory for my guys. Having never played the game before, I do not claim to be a savant or anything. I know I had very fortunate die rolls at times, and Steve and Jeff attacked each other mercilessly. Whether it was my use of cover or their blood-grudges against each other, my troops took little fire or attacks from my enemies.

The chaos of the late game phase of the battle

All in all, I like the game and think it will make a nice addition to our regular Sunday night gaming. However, I think 10 figures per side will simply be too much for a game involved six-plus players. I read up on it some, but likely whittle down the forces. Speaking of which, I was thinking that this could be a place I could use my individually-based, Splintered Light Miniatures anthropomorphic animals. They're pretty much 20mm, and fit with the whole forest-jungle world. I could call it "Furgrave," for the heck of it!  They have wizard figures and a big variety of fighters. I already have a number of factions painted up (savage jungle rats, frog-men, giant bears and wolverines, and more).  I was excited enough by the idea to go out and buy the rulebook at a local gamestore that same evening. So, look for me to be painting and posting pictures of more Splinted Light animales I'm painting!

Pulp High Adventure in Sumatra

The table with ruined temples, Skull Cave, a Pygmy Cannibal village (with cookpot) and more!

In honor of Halloween, I thought I would bring out the 28mm Pulp miniatures for Sunday night gaming. Cannibals, Skull Cave, ruined temples, and animal abominations that walk upright like men would haunt the table. More importantly, it would give me a chance to playtest my rules for convention Pulp games. Although I enjoy playing Pulp Alley (see Dakota Smith's Oriental Adventures), I am not sold on its use for a large, multiplayer convention game. I want something that is easy to learn, fast-moving, and gives me a chance to run a game for up to 8 players.

Von Jaeger's German archeological team, with German sailor muscle, moves to investigate a temple

Enter "War-Drums," a variant of Song of Drums and Tomahawks I'd written and ran at last year's March Through Time at the Ohio History Center. I tweaked the rules a bit to take it out of the American Frontier and into the "High Adventure" genre. I cooked up a scenario that would have my players control European adventuring teams with a squad of sailors or soldiers as backup. They were investigating strange occurrences on the island of Sumatra. Here was the U.S. player's briefing (all players received similar ones):

Their arch-rivals, Dakota Smith and his American archeologists, close in on the same temple

“…Hair-raising reports have been coming out of the Sumatran jungle for the last year or so. It seems cannibals have been raiding settlements and carrying off screaming captives for their fiendish feats. But even worse things have been spoken of, in whispers. Animals of the forests have begun to walk upright and forge weapons. They, too, have stalked settlements, stealing away with captives to devour (or worse).
    These dark forces seem to emanate from the area of the fabled lost city of Yothai. Untold riches are rumored to be buried there, along with arcane objects of immense power. Has someone uncovered one of these and is behind all this? You suspect the Nazis, whose lust for objects of power seems unquenchable. You have assembled a small force of men you can trust, and the government has given you a detachment of U.S. sailors to safeguard you. Your mission is to investigate Yothai, find what is behind all of this devilry, and see if you can put a stop it…”

The French party had to cross a series of bridges across a swamp to arrive

I set up a huge board with a hill in the center, surmounted by Skull Cave. At the midpoint of each board edge was a ruined temple. The cannibal village was on one side of the board, and the players started out spaced out around the board edge. When they came within a certain distance of one of the temples, it would spring enemies to appear (the player in question rolling 1d6 each turn to see how many). My Pygmy Cannibals, along with my Splintered Light Frogs and rats were the enemies.

When the French were partway across, a band of Frog-men rose up out of the swamp and attacked

I think the activation and combat system worked well enough. The scenario design was likely flawed, though. With each player having to run not only their own troops but a force of enemies attacking their neighbor it took way too long between player turns. Mike S's troops did not really get a chance to do much as they rolled very low for their enemy numbers. Meanwhile, Allen and Joel had their hands full with the Frogs and Pygmy Cannibals. Keith and Mike W also faced off with the cannibals, but between them were able to keep losses to a minimum.

Pygmy Cannibals swarmed out of the jungle and attacked the British archeologists, as well as the U.S and Germans

The game was not the most rousing success, but I learned some things for future scenarios. I think it would work best with an A/B movement systems with players in two informal alliances. That would pretty much cut out the long waits between turns and make it more fun, I think. Also, large numbers of non-player enemies will slow it down, too. The players suggested fewer, but bigger and tougher (tigers? crocs?) fauna.

Mike S's force of Diggers, unscathed by the intermittent attacks of Ratmen, investigate a temple

Still, it was fun to see it all out on the table again.

Lead Painters League -- entering the fray once more!

My decision on whether to enter this year's Lead Painters League or not came down to the wire. I barely finished the minimum 3 teams by the deadline date. That should have been a warning to me, but I enjoy entering the league every year. It forces me to get backlogs of unpainted miniatures completed, plus it also pushes me to try improve my painting skills. I tend to do an extra level of detail on entries for this league, so it makes my output -- my painted miniatures -- look nicer on the tabletop.
So, here's a turn by turn account of my run in Lead Painters League 11.

Round 1: Raid on Deerfield

These were figures I'd painted (but not posted pictures of yet) prior to the announcement of the start of the league. They are from Knuckle Duster Miniatures, from their War of 1812 line: Grand River Nations in Winter Dress. I had previously painted up some winter dress Indians from Conquest Miniatures, and needed some more to run a winter scenario. In fact, the scenario was the convention event my friends and I would be running this year using my Song of Drums and Tomahawks rules: The Raid on Deerfield. This photo uses my log cabin with LED votive candles and cotton to give it a burning effect. I honestly wasn't as happy with this set of miniatures -- they don't have the detail that Conquest Miniatures do. Still, they were good enough for me to squeak out a 4-vote lead (which counts as a Draw in the league rules).
Score: Draw, 164-160.

Round 2: Are We Mice or Men?

Of my initial batch of 3 "teams" or entries in the league, I liked this photograph the best. I thought the colors and the look of the Splintered Light Miniatures mice really popped in the photograph. These are part of an ongoing painting project for my own set of fantasy miniatures rules. I am getting a few armies painted up for them before I playtest because the rules call for multifigure, whole unit bases. These mice slingers are done in a variety of fur colors, but with matching medieval style uniforms. I give each army a theme, and this army's is a Medieval European style. Despite how much I liked these figures, they fell to a much-better painted entry. As soon as I looked at my opponent's figs, I knew it would be my first loss in this season.

Score: Loss, 93-269

 Round 3: "We Who are About to Die" 

This project came about when I saw somebody posting online trying to get rid of some 28mm gladiators. I contacted the seller and worked out a trade between some French & Indian War figures I had, and that he wanted, and these. I was VERY happy with how these figures looked. They were clean castings, great poses, and not ridiculously detailed. Since they had so much flesh on them, I decided to try a new technique for my Caucasian flesh tone. I mixed up a bottle of acrylic matte medium with a dull orange color to use as a wash. It worked like a charm. Speaking of flesh, I also decided to mix up the nationalities and painted some African and some Arabic flesh tones. I also had made a concession to advancing age and purchased an giant, illuminated mirror that attached to my painting desk. With its additional magnification, I was able to great fine details on the shields. The voters must have been impressed, as this was my first clear victory, evening my record at 1-1-1.

Score: Win, 244-140

Round 4: Africa Uprising, 20mm

My next rules set that I will release with First Command Wargames is my Modern Africa rules. So, I took the League as an opportunity to paint up some more 20mm figures. I knew I would need some more militia, so dug through my unpainted Liberation Miniatures and grabbed a big batch to paint up. One of the things I like about 20mm for this period is that you can paint up lots of them relatively quickly, but they have a lot more detail and heft than 15mm. Since these were for the league, I put a lot more highlighting on these, touching up a highlight color for straps and other gear. Ironically, I was matched up against an entry that was several stands of 15mm WW II Flames of War figures. Honestly, this was the only round of the 10 were I thought I should have won that I did not. I ended up keeping the vote close enough for it to count as a draw, but I'm still pretty mystified why these guys did so poorly. 

Score: Draw, 186-192

Round 5: Wrong Turn to Meet Dr. Jones

One thing that spices up the Lead Painters League is that there are three "theme" rounds. I usually can field figures from my collection of unpainted minis to cover them, but every once in awhile I have to get creative or purchase something. Luckily, Round 5's theme was "Ship's Crew." I had bought an entire bag of Old Glory 25mm U.S. Sailors when I began playing Pulp years back. So, it was a snap to pick out a handful to paint up. One thing, though. As affordable as they are, Old Glory figures tend to be of marginal quality. True to form, the figures painted up okay, but nothing exceptional. Wanting to eke out another win, I decided to go wild on the diorama I set up. It actually sparked some discussion about if voters are basing their choice on the figures or the picture. Speaking of which, did you notice the pygmy cannibals emerging from the jungle to surround the sailors? I won this round feeling a little guilty that I had bamboozled the voters.

Win,  263-128

Round 6: Trail of Tears -- Iroquois Raiders

I like this photo so much that it actually ended up on the back cover of my Beaver Wars Campaign Rules & Scenario Book. The five warriors in the foreground are from the excellent Flint & Feather line from the producers of Pulp Miniatures. As you can imagine, I've become quite comfortable painting Native Americans, and this was one of my better sets. The lighted magnifying glass allowed me to put in even more detail in the designs on their clothes and the tattoos. I really liked my color choices, too. The voters were kind to my entry, and I won this round fairly handily. Most of my contests were quite close this league, but this one was one of the exceptions. My record improved to 3 wins, 1 loss, 2 draws after this round.

Win, 250-103

Round 7: Satyr-day Night Specials, 15mm

In Round 7, my foray into this year's Lead Painters League began to derail. I'd started another batch of gladiators, but did not get them done in time. Sadly, this lack of progress would continue for the next three rounds. So, rather than have them re-run my previous entry for another week, I found the time to photograph my old 15mm Splintered Light Miniatures Satyr army for Hordes of the Things. the army is definitely one of my favorite 15mm fantasy armies I've painted, but it was unable to when this contest. With the league's Swiss Chess pairing, I had risen high into the standings. I was due for a smack-down by someone of more talent, and this duly happened.

Loss, 150-283

Round 8: "Khmer and look at this!"

Awhile back, I had painted three Pulp figures for a friend's series of games he was going to run. We were using the smaller Pulp Alley leagues with just a Hero, Sidekick, and Ally. League rules dictate that there is a minimum of five figures, so I recycled a couple previously photographed miniatures. Once again, this was a "no new team" entry, and lost me the 10 bonus points I would otherwise receive each round for entering newly-painted miniatures. I decided to take a page from my early "Dr. Jones" entry, and set up an elaborate Southeast Asian temple complex. Unfortunately, I was still floating relatively high in the standings and was matched up against a painter well beyond my skill level. The result was another thumping -- my worst this season -- and my record dropped to exactly .500 percentage -- 3 wins, 3 losses, 2 ties.

Loss, 104-258

Round 9: From the Pits of Gundabad, 15mm

To be honest, I was at my lowest morale point here in this league. For the third week in a row, I was unable to field a newly-painted league. Granted, I had things going on in my life. I had chaperoned our school's 8th grade Washington D.C. trip for a week. I had been working my butt off to get the Beaver Wars book ready for print. And the same group of gladiators remained almost finished on my desk. Honestly, I could possibly have finished them for this round. However, I knew there'd be no way I'd get a new team done for Round 10. With that round being a theme round, the gladiators would actually fit perfectly for it. So, I threw in one final previously painted entry. This one was my 15mm Wolf Riders army. I have always liked the job I did on the wolves, so took it as a chance to showcase them. Would they be good enough to squeeze out a win? If I lost this round, the best I could do would be breaking even. As it turned out, I had sunk low enough in the standings that I was matched up against an entry that my wolves could handle, as it turned out. This took me to 4-3-2 going into the final round.

Win, 198-133

Round 10: "Um, Who's Got the Big Guy?"

The theme was "Big Brother" (larger version of the main figures), and as the picture above shows, this was why I saved the gladiators for this final round. At the local Michaels Craft Store, I found this plastic gladiator who was easily twice as tall as my 28mm ones. He was a prepainted figure, so I primed him black and repainted him to join the 8 gladiators I'd been working on for nearly a month. Once again, I was very happy with how the Crusader gladiators painted up. There are a couple items of equipment that I had to ponder over, but for the most part, they are incredibly clean castings that are a snap to paint and look great when finished. I was really happy with my shield patterns on these, as well (though I do admit to starting over on the one carried by the spearman in the back). Another contest that was not a blowout, but happily a victory for me. This finalized my record at 5 wins, 3 losses, 2 ties.

As the Leaderboard pasted below shows, I finished 18th out of 32 contestants. This was probably my lowest finish in the last couple years. However, if I *did* manage to put in new entries in all three rounds that I did not (read = receive 30 more points), I would have finished up in 13th. In my opinion, that is too high. There are easily more than a dozen painters in this league much better than me. So, perhaps this finish is a more accurate rating of where I fit in the league this time around. Who knows? Even with three rounds of recycled entries, that is seven batches of newly-painted figures I finished up. So, on that note, my foray into this year's league must be counted as a success!

Win, 201-143 

Dakota Smith's Oriental Adventures, Part 7: Debacle at the Docks

 It is a quiet morning in the riverport town of Hoi An, French Indochina. The freighter Dionysius is expected to pull in at the main pier at any moment. Coolies are stacking the cargo and stores to be loaded upon arrival. In town, various groups of Western archeologists are laying low, scanning the river anxiously. Dakota Smith has booked passage on the freighter for himself and his two companions. Hidden in their luggage (or being carried by them?), is an ancient artifact -- the Tears of the Buddha.

Dakota is not so naive to think he will get on board the freighter without a scrap. First, the French authorities -- represented by Inspector of Antiquities Pierre Fournereau -- don't want such a valuable artifact to leave French territory. Next, the British and Irish archeological teams may want to seize it for themselves. Plus, Dakota knows that it has been too long since his arch-rival, the German archeologist Von Jaeger has reared his ugly head. And finally, perhaps most dangerous, the Order of the Fire Coral has been dogging his footsteps since he arrived in Indochina. To think they would not make one last attempt to recover the Buddhist artifact would be hopelessly optimistic. Masters of disguise, they could be anywhere in Hoi An.

His good friend Harold Fortwine grunted and point to the far jungle. The black smoke of an approaching steamer could be seen rising above the treeline. Chairs scraped as Dakota and his companions headed for the door. It was now or never. As Dakota Smith and his companions left the customs house on the town square of Hoi An, Dakota grumbled, "I got a bad feeling about this. Harold, Dolly, keep a sharp eye out!" All around them, the river port bustled with activity. Coolies were on the wharf loading and unloading the freighter. Dakota saw their baggage among the items being carried aboard on the backs of the IndoChinese laborers. He patted his satchel which contained the prize from this expedition. The famed Buddhist relic, "The Tears of the Buddha" -- which legend said had magical powers.

Shouting on the pier drew the Americans' attention. The freighter's bosun was cursing mightily at two of the coolies who had apparently dashed their loads to the dock and stood glaring and pointing at the Americans. With a sinuous movement, they whipped off their peasant garb and assumed a fighting crouch. "Uh-oh," Dakota muttered as he noted the red and black uniforms they had been wearing underneath -- the unmistakable gear of the Order of the Fire Coral.

Dakota dashed for the cover of a line of wooden barrels beneath the harbor master's wooden observation tower. Dolly walked determinedly towards the pier when she saw one of the agents kick her luggage into the water and laugh. "Dolly, no!" Dakota shouted, unholstering his pistol. As he took careful aim at the agents on the pier, he caught movement out of the corner of his eye. A warning shout from Harold Fortwine, made him turn. Chuckling and cracking their knuckles, three more agents walked out of the door of the customs house. He recognized the bald, muscled Tat Ko and the masked female, Jazh  Minh. "This could be bad..." he called over to Harold.

The hairs on Dakota's neck rose up when he a familiar voice call out, "I'm afraid, my dear Dakota, it is about to get much worse..." The American whirled and saw creeping up behind them Von Jaeger, his stooge Otto Tulmann, and the evil old with Fraulein Blucher. "Harold! Dolly!" he yelled. "We're surrounded...make a break for it!" Jazh Minh and one of the Fire Coral agents rushed him and he fired off shots quickly. He heard Harold cursing as he jabbed and boxed with Tat Ko. There was a blaze of gunfire from the Germans and he heard Dolly cry out and a thud as she fell hard at the foot fo the docks. There was nothing Dakota could do for her as he dodged the kicks and punches of the martial artists.

Dakota grimaced as Jazh Minh vaulted away, thinking "That wench's kicks hurt!" With no martial artists in his face, he turned to face the Germans...too late! Both Von Jaeger and Otto Tulmann opened fire. Dakota felt a searing pain and fell to the dirt. That jarred his wounds even harder and he blacked out. His last thought was for the Tears of the Budhha. Had it gone flying out of his satchel when he spun to the ground? Meanwhile, Harold was holding his own, bludgeoning Tat Ko with his boxing skills. Dolly, though, also in a heap near the pier. Fraulein Blucher growled in disdain as she saw Jazh Minh somersault backwards and landing on her feet. She rushed the martial artist, ignoring Von Jaeger's warning. Just as she began her roundhouse swing, Jazh Minh's foot connected with the bridge of her nose. The gray haired matron collapsed.

There was a gasp among the archeologists and the agents of the Fire Coral as the Tears of the Buddha flew from Dakota's satchel and landed several feet away from his unmoving form. One of the agents dashed in and picked it up. He was gunned down by Von Jaeger and again the Buddha went flying. Tat Ko rushed over and with Neen Wa stood over it and dared the Westerners to make a move towards it. Surprisingly, Von Jaeger nor his goons never tried to grab it. Instead, the were venting their anger on Dakota and Harold, blazing away at them and ignoring the Fire Coral. The Irish and British teams were closing in, but they also seemed leery of making a run at it.

Meanwhile the Irish and British teams were creeping stealthily through the town square towards the pier. Despite previous bad blood, they ignored each other for the most part this game. Both had valid chances to make a grab for the other's minor plot point (they could recognize it by passing two Cunning checks when within 12"). Neither took it. The Irish did close in on the French who were slinking down the road towards the freighter. They joined Otto Tulmann in blazing away at Pierre Fournereau and Dr. Lambert, who was carrying the French artifact. The French fire was accurate, though, and they gave better than they received.

 Surprised at their luck to be ignored by the Germans, Tat Ko nodded at Neen Wa to pick up the Tears of the Buddha and make a dash for it. Tat Ko charged the British Maj. Speke-Eastman who blocked the path leading over the bridge and into the jungle. Neen Wa took advantage of the distraction and raced over the bridge, stowing the idol in his robes.

Neen Wa's flight wasn't unobserved, though. Harris McLeod, the portly representative of the British Museum tut-tutted to himself. "Now, here, laddie. We can nae have yee fleeing with such a prize, can we?" The Scottish laird lined up the fleeing agent in his sites and squeeze the triggers of both barrels of his gun. There was a cry and a flash of silver as the idol flew from Neen Wa's lifeless body and tumbled into the jungle. Moving faster than you'd think possible, Harris followed the path of his fatal shot.

Harris heard footsteps behind him on the bridge as he pounded towards the Tears of the Buddha, which he could see glinting from beneath a swaying fern. He hoped that it was Speke-Eastman behind him, and sneaked a glance over his shoulder to see. An evil hiss in front of him froze him. Swaying above the idol was the hooded body of a cobra, who's nest must have been disturbed the idol's tumble through the vegetation. "Och, good god!" Harris yelped, then swung the barrel of his rifle over his head and pounded the snake into the jungle floor. Reaching tenderly for it, he confirmed the cobra was dead before picking up the gleaming artifact.

On the pier, Pierre waves off Dr. Lambert aboard the departing freighter, carrying the minor plot point that his team had secured. His main goal was to ensure no other Westerners escaped aboard the freighter. It was a shame that the British slinked off into the jungle with the Tears or the Buddha. However, they were not out of French Indochina yet. There was always a chance that his gendarmes would find them and capture it. Something would have to be done about the agents of the Fire Coral. How could an archeologist work here it they constantly had to watch for a knife in their back from their sinister hands!

And so, Dakota Smith's Oriental Adventures first story arc comes to an end. It was quite the adventure and the players seemed to really enjoy it. Each league seemed to have its moment in the sun. Would Harold be able to gather the wounded Dakota and Dolly and nurse them back to health? Would the Americans return empty-handed to Portland, Oregon? Or are there more adventures to be had in French Indochina? After all, only the French Dr. Lambert was on board the freighter when it sailed from Hoi An. The others would all need to find a different way home...

Thanks to Pulp Alley for making our games such a blast! I highly recommend these rules as they seem to create an exciting storyline just in the playing.

Chinese Civilians Completed!

28mm Chinese Civilians from Pulp Figures by Bob Murch

I am curious how long it has been since I've painted a batch of miniatures. I don't want to count terrain -- which I did a lot of this past summer and fall. However, I bet it has been at it is going on three months! Way too long, I say!

So, to remedy that situation, I finished off my batch of 10 28mm Chinese Civilians for my Pulp Skirmish games. Most of the minis are from Pulp Figures by Bob Murch, as mentioned in the previous post. I really like these figs, so will doubtless be buying more from this company. They are big, solid figures with interesting poses and equipment. Of course, I changed out a lot of that equipment to convert the pack of "Yangtze River Gangs" into more peaceful farmers, merchants, and laborers. These figures have a lot of character -- particularly the short guy selling the duck, the hobbled old man, and the porter with the two boxes suspended on a pole.

The Bob Murch line of Pulp Figures has lots of colorful characters, like these two on the left

I used the painting schemes on Pulp Figures' website as inspiration. Some color mixes I pretty much copied, while others I improvised upon. I'm happy with how they turned out. There is a nice mix of faded colors and brighter, more oriental silk palette. I think all of the conversion look natural. I was worried the barrel the one laborer was hefting would look out of scale, but I don't think it does. Same with the basket on the ground that the well-muscled porter has set down. They all look like they were off to the market rather than to war.

Farmers, Laborers, and other civilians will come in handy in my Pulp games

These figures will be pressed into action as soon as I run my final scenario in this storyline of Dakota Smith's Oriental Adventures. What's up next? I will likely paint some 28mm Native Americans. As I'm getting ready to playtest my Beaver Wars campaign rules, I need more figures I can use for youths or bow armed troops. Hopefully, these Chinese got the ball rolling and I'll get back into the swing of painting, again...

Painting again!

It seems like such a long, long time since I was painting any miniatures. But today I put the first base coat on a group of 10 28mm Asian civilians. These will be bystanders and such for my Pulp games. Eight of the figures are from the Yangtze River line from Pulp Figures by Bob Murch. Two were figs I'd picked up at a flea market awhile back. As I was priming them I noticed an odd similarity between those two miniatures and one of the Pulp Figures poses. My heart sank when I realized they only looked different because they were a poorly executed pirating of the original Bob Murch casting. This made me sad to think that some of the vendors at flea markets might well be doing this as garage business to offer figures at such a low price. I've always looked at flea markets as places where we sell our items that we don't want any longer, or periods or scales we've moved on from. The idea that there may be dishonest people out there actively producing pirated figures to sell at flea markets seems is disheartening. It is hard enough for figure manufacturers to make money, I'm sure. The last thing they need is competition from someone taking their work and producing cheap knock-offs of it. Shame on such vendors, I say!

Anyway, these Asian civilians are needed for the grand finale of the Dakota Smith adventures I've been running using Pulp Alley rules. Once I have them finished, I should be ready to run the last game. I may do one final project beforehand -- some scratchbuilt sampans. This scenario takes place down on the docks as the European adventurers are taking ship for their homelands. The Indochinese locals (and French party) will make one last attempt to recover the religious and archeological treasures that the others are wanting to abscond with. Who knows? Maybe even Dakota Smith's archrival, Von Jaeger, will reappear. He's been MIA for the last handful of adventures.

28mm Chinese civilians, most from Pulp Figures by Bob Murch

Nearly all of the 10 figures have been modified in one way or another. Instead of spears, they clutch pitchforks, barrels, clay vessels, or baskets. I'd picked up Pulp Figures one pack of Chinese civilians, but wanted more of a variety of poses. Thus, the conversions from armed Yangtze gangs into civilians. I actually did the conversions a month or so ago, and even primed them. However, they've sat untouched for a month or so until this last week. I've painted the flesh and now the first base coat of their shirts (or pants, for those shirtless figs).

Hopefully, this will inspire me to take up the brush again and begin painting. I had been so involved in getting terrain ready for the Song of Drums and Tomahawks game at Advance the Colors from the end of summer up through mid-September. After that, I put in the push to get the rules ready for publication, setting up our company's website, and so on. So, my Pulp stuff has sat neglected for several months, now.  Which means I may have something more to write about on my blog...!

Dakota Smith and the Forbidden Temple

 

We played the sixth of the seven scenarios I have planned for the first run of Pulp games last night. The archeologists were on the trail of the legendary relic, The Tears of the Buddha -- reputed to have mystical powers. They followed the directions from the inscriptions they'd deciphered from the Lost City to a distant mountain range. "Beyond the valley of the strange ones, lay the Stupa Mountains" the words said. And when the explorers caught sight of them, they were amazed at how much the range did indeed look like stupas from a Buddhist temple complex.

They soon caught sight of the Forbidden Temple, which the texts say housed the Tears of the Buddha. It appeared to be carved from a solid, rocky crag rising from a hillock in the center of a shallow valley. The top part of it was skillfully sculpted to resemble a giant deity, holding a raised sword over its head. The valley was ringed by cliffs which obviously were prone to rockslides. Rubble lay heaped up all over the valley, leaving only a handful of precarious paths through the valley to the temple.

I hope you enjoy this new style of battle report. It has become popular on the Lead Adventure Forum, so I thought I'd try it out. You will probably need to click on the photos to make them as large as possible to read all of the captions.